Gladys Ng

From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

Newly arrived in Melbourne, shy Chinese student Ying (Jenny Zhou) navigates the quiet loneliness of migrant life until she meets Summer (Charlotte Nicdao), a radiant and outgoing local. As their unlikely friendship unfolds, Ying & Summer explores displacement, connection and what it means to feel at home in a foreign city.

My Father After Dinner follows an old security guard and his emotional journey in anticipating the return of his married daughter and her family for dinner.

As a breast cancer diagnosis shatters a woman’s life, an encounter with a stranger has a ripple effect on both their lives.

Steph Chan is leaving Singapore for good. Yokes struggles to say goodbye. The two girls spend their last moments together before they begin their separate journeys on the pursuit of a happy human life.

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

Newly arrived in Melbourne, shy Chinese student Ying (Jenny Zhou) navigates the quiet loneliness of migrant life until she meets Summer (Charlotte Nicdao), a radiant and outgoing local. As their unlikely friendship unfolds, Ying & Summer explores displacement, connection and what it means to feel at home in a foreign city.

My Father After Dinner follows an old security guard and his emotional journey in anticipating the return of his married daughter and her family for dinner.

My Father After Dinner follows an old security guard and his emotional journey in anticipating the return of his married daughter and her family for dinner.

As a breast cancer diagnosis shatters a woman’s life, an encounter with a stranger has a ripple effect on both their lives.

As a breast cancer diagnosis shatters a woman’s life, an encounter with a stranger has a ripple effect on both their lives.

Steph Chan is leaving Singapore for good. Yokes struggles to say goodbye. The two girls spend their last moments together before they begin their separate journeys on the pursuit of a happy human life.

Steph Chan is leaving Singapore for good. Yokes struggles to say goodbye. The two girls spend their last moments together before they begin their separate journeys on the pursuit of a happy human life.

Steph Chan is leaving Singapore for good. Yokes struggles to say goodbye. The two girls spend their last moments together before they begin their separate journeys on the pursuit of a happy human life.

Every Floor Looks The Same is an observation of the peculiar nature of life in Singapore, seen through the eyes of a languishing Osmanthüs who seeks to fill her day with fun, only to grapple with finding her space and reason in this world.

On the day of his daughter's wedding, a father finds himself consumed with his own emotions and he undergoes a curious episode.