Aleksandra Bożek

In the Podlasie countryside of the late 1950s, Zośka grows up marked by the Polish plait: a symbol of shame and rural fears. Hoping that obedience will bring her love, she tries to escape the family stigma. Years later, she realises that her mother’s fate has befallen her. When her daughter’s future is in danger, for the first time, Zośka stands up to the world that taught her to be quiet.

The distinction between sanctioned killing and plain murder gets blurred for a War-on-Terror veteran.

The story is set in a hotel environment where the main Character meets various people in different hotel rooms and gets involved with their private drama instigates it. The drama turns out to be somehow conducted by the female director, also one of the persons that the main Character meets in a hotel. The plot revolves around subjects of love, youth, death and ones persona and shows the main Character hopelessly trying to figure out the definition of self by means of desperately looking for real emotions in people and himself and channeling them through theatrical form. Will the main Character finally discover who he really is?

Eight-year-old Yoshko is awaiting the arrival of her cousin, Lila, whose parents died in a car accident. The girl is to live with relatives. Joszko is intrigued by the girl, who has stopped speaking in the wake of the shock. Relations between the children quickly become tense, turning into rivalry. Lila, craving maternal care, tries to take Joszek's place in his mother's heart. She even goes so far as to make threats.

A story about love and hatred, about those who cheat and who are cheated, about violence and sex and surprising secrets which we learn within these strange twenty four hours.

On an ordinary winter's day, various people from outside Warsaw come to the Polish capital city for different reasons. They all have something to deal with, and their paths eventually intertwine.