Shauly Melamed

At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.

Four LGBTQ adults re-encounter the home video footage they shot of themselves as youths: Shauly explored his homosexuality; Tom faced his gender identity; Betty filmed her friends and lovers; Rumia discovered her roots in drag.

At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.

At the age of 12 Shauly receives his first camera. 14 years later he finds the recordings. From his mature perspective, Shauly returns to the child he once was, to his cinematic attempts and to his biggest secret which only the camera caught.

Zalman Shoshi, born in Haifa to Holocaust survivors, grew up in a home marked by violence and trauma. As a teenager, Zalman ran away from home and survived by working as a sex worker. Later, Zalman reinvented himself as Shoshi, Israel's first transgender celebrity, who was both revered and feared. Their path also led to Berlin: a divided city where Holocaust survivors reopened bars, brothels, and peep shows, and where Israeli trans women found both refuge and danger.

Zalman Shoshi, born in Haifa to Holocaust survivors, grew up in a home marked by violence and trauma. As a teenager, Zalman ran away from home and survived by working as a sex worker. Later, Zalman reinvented himself as Shoshi, Israel's first transgender celebrity, who was both revered and feared. Their path also led to Berlin: a divided city where Holocaust survivors reopened bars, brothels, and peep shows, and where Israeli trans women found both refuge and danger.

An intimate and unexpected night evolves between Hagar, a female taxi driver, and an ultra-Orthodox young man, who she picks up.

While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.

While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood.