Kristen Faith Oei

When a one-hit-wonder girl group from the '90s gets sampled by a young rapper, its members reunite to give their pop star dreams one more shot. They may be grown women balancing spouses, kids, jobs, debt, aging parents and shoulder pain, but can't they also be Girls5Eva?

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.

Estella Scrooge is a Wall Street tycoon with a penchant for foreclosing. A hotelier in her hometown of Pickwick, Ohio has defaulted on his mortgage and as a Christmas gift to herself, Estella decides to deliver the sad news in person. Arriving at the Harthouse Hotel on Christmas Eve, Estella discovers that the mortgage holder is none other than her childhood sweetheart, Pip Nickleby. Always the humanitarian, Pip has generously transformed the property into a refuge for the distraught, disabled and displaced. A freak snowstorm forces Estella, much to her dismay, to take refuge at Harthouse. That night, as it happened to her ancestor Ebenezer long ago, she too is haunted by three visitations. And oh what uninvited overnight houseguests they are!

When a one-hit-wonder girl group from the '90s gets sampled by a young rapper, its members reunite to give their pop star dreams one more shot. They may be grown women balancing spouses, kids, jobs, debt, aging parents and shoulder pain, but can't they also be Girls5Eva?

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.