Holger Liedtke

In an old house in the middle of nowhere, the two elderly ladies Ottilia and Milva lead a cozy life. Suddenly, a circus director appears on their doorstep and gives them an intimidated ox, which they kindly take into their home. They have no idea what his hidden intentions are.

Superstar Alexander Marcus is on top of the world, worshipped by his fans. Wherever he and his companion Globi show up, there's excitement. Nobody knows that Alexander has become addicted to the dangerous drug egoin, thanks to his evil new manager. After a high dosis and bad trip, his career is destroyed, Globi vanished, and Alexander hospitalized in a psychiatric hospital...

The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.