Bronte Stahl

Summer is ending, and the harvest has begun in rural Transylvania. As Nicusor aspires toward adulthood, he looks for a way to contribute. Faced with rejection, he explores his natural surroundings to imagine a place for himself.

Between the all-too-familiar prison walls and his mother's house, Ryan grapples with himself, eventually finding an escape with the sheep in the verdant fields of Northern Ireland.

The geography of the otherwise flat city of Charleroi is defined by slag heaps - hills formed from the waste material from coal mines. Filmed entirely from these terrils themselves, the film weaves large-scale industrial tragedy with the poeticism of ecological rebirth through a data-driven narration in which the terrils are the protagonists.

Summer is ending, and the harvest has begun in rural Transylvania. As Nicusor aspires toward adulthood, he looks for a way to contribute. Faced with rejection, he explores his natural surroundings to imagine a place for himself.

Between the all-too-familiar prison walls and his mother's house, Ryan grapples with himself, eventually finding an escape with the sheep in the verdant fields of Northern Ireland.

Between the all-too-familiar prison walls and his mother's house, Ryan grapples with himself, eventually finding an escape with the sheep in the verdant fields of Northern Ireland.

The geography of the otherwise flat city of Charleroi is defined by slag heaps - hills formed from the waste material from coal mines. Filmed entirely from these terrils themselves, the film weaves large-scale industrial tragedy with the poeticism of ecological rebirth through a data-driven narration in which the terrils are the protagonists.