Paulo Leite

Zezé is a poor, intelligent, sensitive, and needy six-year-old boy. He lacks affection, which he doesn't find in his family – nobody has much patience with him. The mischievous little boy roams the streets getting into all sorts of trouble. He learns everything on his own; he's a "discoverer of things." He realizes that life has joys, like having a friend, and also sorrows, like when a friend leaves forever. One of his greatest surprises is realizing he can sing without opening his mouth – that is, he can think of a song and let it play in his head.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

Unjustly convicted of a murder she did not commit, Letícia fights to prove her innocence. In prison, he works as a telephone operator, where he meets André, president of Estillus magazine, over the phone. Just by voice, the two get to know each other better, talk more and fall in love with each other.

At the end of the 19th century, Italian immigrants settled in the municipality of Palmeira, Paraná, creating Brazil's first anarchist society, Colônia Cecília. Giovanni Rossi suffers from the failure of the experiment. He is a veterinarian, agronomist, biologist, and journalist. But above all, he is an idealist, with a strong personality and obsessed with the desire to live with free humanity.

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Zezé is a poor, intelligent, sensitive, and needy six-year-old boy. He lacks affection, which he doesn't find in his family – nobody has much patience with him. The mischievous little boy roams the streets getting into all sorts of trouble. He learns everything on his own; he's a "discoverer of things." He realizes that life has joys, like having a friend, and also sorrows, like when a friend leaves forever. One of his greatest surprises is realizing he can sing without opening his mouth – that is, he can think of a song and let it play in his head.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

Unjustly convicted of a murder she did not commit, Letícia fights to prove her innocence. In prison, he works as a telephone operator, where he meets André, president of Estillus magazine, over the phone. Just by voice, the two get to know each other better, talk more and fall in love with each other.

At the end of the 19th century, Italian immigrants settled in the municipality of Palmeira, Paraná, creating Brazil's first anarchist society, Colônia Cecília. Giovanni Rossi suffers from the failure of the experiment. He is a veterinarian, agronomist, biologist, and journalist. But above all, he is an idealist, with a strong personality and obsessed with the desire to live with free humanity.