Mohand Azzoug

The fourth and final part of a cycle of horror and barbarism. The ultimate progression of an inexorable march of evil before the restoration of peace. It's not just about the magnetic and fascinating character: it's more the painting of a bruised and devastated society, conducive to the hatching of a monster in question.

Algeria, 1956. Plunged into a war that does not speak its name, a young peasant girl becomes, in spite of herself, a maquis. But during an attack, she is captured by a group of commandos who take her to a forbidden interrogation site, where she is locked up with a former French Resistance fighter.

This movie portrays three women living in today's Algeria between modern society and Islamic fundamentalism, self-determination and dependence. Goucem, a young woman who works for a photographer and mistress of a rich doctor, her mother Papicha, a former cabaret star, and her best friend Fifi, a prostitute, all live in a hotel in the city center of Algiers. Their difficult personal situation and the growing influence of Islam lead to dramatic consequences...