
Directing
Joaquim Pedro de Andrade
Born 1932-05-25 · Rio de Janeiro, Brazil
Joaquim Pedro de Andrade (Rio de Janeiro, May 25, 1932 – September 10, 1988) was a Brazilian filmmaker. He was a member of the Cinema Novo movement. Andrade is best known for his 1969 film Macunaíma, based loosely on the novel of the same title by Mário de Andrade. His 1962 documentary film Garrincha: Hero of the Jungle was entered into the 13th Berlin International Film Festival.
Acting credits
No synopsis available yet.
Castelar e Nelson Dantas no País dos Generais
2008
2.0The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."
Depois do Transe
2006
NRFollows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
Memórias do Grupo Opinião
2019
NRAn hour-long conversation with Brazilian Cinema Novo director Joaquim Pedro de Andrade conducted by Sylvia Bahiense.
Luzes, Câmera... Joaquim Pedro de Andrade
1976
NRNo synopsis available yet.
Semana de Arte Moderna
1972
6.7A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
Cinema Novo
2016
NRNo synopsis available yet.
Tem Coca-Cola no Vatapá
1975
NRNo synopsis available yet.
Mídia, mentiras e democracia: zona de fronteira
1992
Behind the camera
6.5Comedy in 4 segments. In "Arroz e Feijão" (Rice and Beans), owner of a boarding-house seduces her young countryboy tenant. In "As Três Virgens" (The Three Virgins) three spinsters are influenced by the behaviour of their teenager niece, whom they are lodging. In "O Arremate" (The Purchase) a colonist turns his virgin daughter in to a landowner, to have his debts forgiven. And, finally, in "Vereda Tropical" (Tropical Trail), a man becomes sexually obsessed by a watermelon, to the point of having sexual intercourse with it. The stories are based on prize-winner short stories, from a Playboy contest.
Erotic Stories
1980
5.0Institutional film made for Petrobras in 1958, through a public announcement, about the company's actions for the training of technicians specialized in petroleum engineering.
A Petrobrás prepara o seu pessoal técnico
1958
5.8In the island of Paquetá, professor investigates the genital vocation of vegetables and fruits, maintaining sexual relations with a watermelon. In his experiences, he counts on the interlocution of an attentive student.
Tropical Paths
1977
5.8In the island of Paquetá, professor investigates the genital vocation of vegetables and fruits, maintaining sexual relations with a watermelon. In his experiences, he counts on the interlocution of an attentive student.
Tropical Paths
1977
7.5Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
Improvised and Purposeful: Cinema Novo
1967
6.9Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
Macunaima
1969
6.9Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
Macunaima
1969
6.9Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
Macunaima
1969
5.1Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.
Conjugal Warfare
1975
5.1Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.
Conjugal Warfare
1975
5.1Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.
Conjugal Warfare
1975
7.6O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral de Andrade had assisted in the restoration of more than 20 years earlier. de Andrade dedicated the film to his father, who had sent him on the expedition.
O Aleijadinho
1978
6.9A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
The Poet of the Castle
1959
6.9A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
The Poet of the Castle
1959
5.0Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
The Brazilwood Man
1982
5.0Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
The Brazilwood Man
1982
6.8Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
The Master of Apipucos
1959
6.8Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
The Master of Apipucos
1959
6.1Short documentary about the ideology of publicity and mass medias.
The Language of Persuasion
1970
7.9Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.
Five Times Favela
1962
7.9Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.
Five Times Favela
1962
6.9The real story of the failed attempt of an independence coup by a group of intellectuals and rich men during Brazil's colonial days, from its beginning to the execution of Tiradentes.
The Conspirators
1972
6.9The real story of the failed attempt of an independence coup by a group of intellectuals and rich men during Brazil's colonial days, from its beginning to the execution of Tiradentes.
The Conspirators
1972
7.5A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.
Cat Skin
1962