Dawid Nickel

After fun-loving metalhead Jacek is disfigured in an accident at work, he becomes the first person in Poland to receive a face transplant. This leads to his status as a media spectacle and martyr, all while battling ensuing identity issues as a consequence.

Aaa, Billy, Dawid, Filipka, and Olo perform, support each other, and protest, facing a hostile environment for queer people in Poland. In his first feature-length film, artist and choreographer Alex Baczyński-Jenkins accompanied this group of friends for a few years.

Daniel is respected by his village community as long as he bravely supports the fight for their affairs. He is in love with the boy next door, Olek, who is not ready to reveal his sexual identity. Their relationship develops in secret. When a teenage friend can no longer take homophobic attacks and commits a suicide, Daniel tries to convince the villagers to organise a service of the Stations of the Cross together for the intention of the victim.

Directors Katarzyna Iskra and Justyna Pelc encourage several characters to surrender themselves to the hands of a therapist offering non-erotic touch sessions. The soothing effect of this unusual procedure also affects us, reminding us that cinema has the potential to be not only a space for reflection but also relaxation.

Filipka, a person of fluid gender identity, is preparing for their first stage performance. However, they are more concerned about their conservative parents' opinion than the reaction of a crowd of strangers.

Filipka, a person of fluid gender identity, is preparing for their first stage performance. However, they are more concerned about their conservative parents' opinion than the reaction of a crowd of strangers.

It's the last week of school in a small polish town's junior high school. Waiting for the final party, several students pass the time at a city pool, as if anticipating the emotional whirlwind they are about to experience. The action takes place somewhere in Poland, where ‘LGBT free zones’ are a reality in 2020. It’s a story about young people, their problems and romantic endeavours in the era of the Internet and social apps, when creating genuine relationships is unnaturally difficult.

It's the last week of school in a small polish town's junior high school. Waiting for the final party, several students pass the time at a city pool, as if anticipating the emotional whirlwind they are about to experience. The action takes place somewhere in Poland, where ‘LGBT free zones’ are a reality in 2020. It’s a story about young people, their problems and romantic endeavours in the era of the Internet and social apps, when creating genuine relationships is unnaturally difficult.

The film tells the story of the evolution of rave music and subculture in Poland. Two young ravers will guide us through this world: Marysia and Janusz, along with Marcello Zamenhoff – a performance artist and one of the pioneers of Polish rave. The basic question the characters are hoping to answer is will the young generation be able to reconcile the Polish techno scene, which has stayed class-divided since its very beginnings in the ‘90s.

The film tells the story of the evolution of rave music and subculture in Poland. Two young ravers will guide us through this world: Marysia and Janusz, along with Marcello Zamenhoff – a performance artist and one of the pioneers of Polish rave. The basic question the characters are hoping to answer is will the young generation be able to reconcile the Polish techno scene, which has stayed class-divided since its very beginnings in the ‘90s.