Boris Manner

The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction. Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.

A sketch: Observation of everyday life of people and situations in Vienna. "Visual art is an excellent way of observation in our culture. The everyday situations are seen briefly, continously but rarely as perceived and consciously experienced." (Michael Kreihsl)