Peter Bratt

Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on the White House. Along the way they meet a mysterious Black woman. Together, these four men and one woman encounter racism, sexism, internal conflicts, and finally redemption as they discover their common humanity and their internal ability to conquer the societal ills that effect them all.

A single-parent ex-con in the Mission District of San Francisco finds his personal values challenged when he discovers his son is gay.

Dolores Huerta bucks 1950s gender conventions by starting the country's first farm worker's union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.

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Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on the White House. Along the way they meet a mysterious Black woman. Together, these four men and one woman encounter racism, sexism, internal conflicts, and finally redemption as they discover their common humanity and their internal ability to conquer the societal ills that effect them all.

A single-parent ex-con in the Mission District of San Francisco finds his personal values challenged when he discovers his son is gay.

A single-parent ex-con in the Mission District of San Francisco finds his personal values challenged when he discovers his son is gay.

Dolores Huerta bucks 1950s gender conventions by starting the country's first farm worker's union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.

Dolores Huerta bucks 1950s gender conventions by starting the country's first farm worker's union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.