Kerstin Graßmann

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Judge Praetorius-Camusot’s legal routines are interrupted when the ghost of a member of the Paris Commune turns up at an event celebrating German-French relations. An anarchic comedy about the origins of German criminal law and much, much more.

Phoebe Phaidon works as a climatologist at an institute of cybernetics which is about to be shut down. So there has to be a solution in the form of a successful evaluation. The strategy consultants now work against the student movement in a virtual reality. Turmoils start.

No synopsis available yet.

Documentary satire about a project by Christoph Schlingensief: Ten years after his TV project "Talk 2000", Schlingensief started to work on a new talk show – at least that was what he claimed. But in reality, it was obvious that the pilot episodes he produced would never be broadcasted. Nevertheless, all celebrities from the political and cultural sphere, Schlingensief had requested, accepted his invitation, including the filmmaker Oskar Roehler, the televangelist Jürgen Fliege, the politician Claudia Roth, or the rapper Sido. It is beyond question, that the talk show panel took an unconventional course directly from the start – and was soon threatening to turn into an uproar.

Part of the Bonn opera production "Freax". Schlingensief's disabled protagonists initially move through the circus ring in artist costumes, as in Tod Browning's Freaks (1932), interspersed with and thus communicating with footage of their controversial opera performance in Bonn. Their initially cheerful procession turns into a passion play, with individual protagonists being symbolically crucified and thus once again mutilated by others.

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.