Jovana Pleskonjić

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

For 40 year old Nikola, everyday life is just about producing the worst, the most vulgar reality shows and hidden cameras for TV. His life begins to change when he starts to mentor young girl pushed to be star by her ambitious mother. In turn of the events, Nikola starts to wonder if it is he who is the target of some hidden camera show.

Тwo real life stories of solved murders, one of which resulted in the last death sentence imposed in Yugoslavia, during the 1970s.