Janis Kirshner

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Catherine moves to a new city, and Nick Girard, a composer of film scores, catches her eye. They marry, but almost instantly something seems amiss. Nick had a previous wife named Stella, but she was killed two years earlier and her presence seems to still reside in the apartment. The neighbours in the building aren't exactly welcoming, either. Catherine begins to think that an unseen force is trying to warn her about Nick, who starts to doubt her sanity.

A woman claims she had an affair with a married neurosurgeon and stands trial for allegedly harassing him.