Directing

Angus Fairhurst

Acting credits

Love Is the Devil: Study for a Portrait of Francis Bacon poster
6.1

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

Love Is the Devil: Study for a Portrait of Francis Bacon

1998

Freeze: But is it Art? poster
NR

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

Freeze: But is it Art?

1994

Two Melons and a Stinking Fish poster
NR

Intimate portrait of artist Sarah Lucas, whose witty and provocative work explores questions of identity and sexuality. With contributions from Angus Fairhurst and Damien Hirst.

Two Melons and a Stinking Fish

1996

A Couple of Cannibals Eating a Clown (I Should Coco) poster
NR

Hirst and Fairhust recount grisly tales of death while dressed up as circus clowns, chain-smoking and spraying one another with silly string.

A Couple of Cannibals Eating a Clown (I Should Coco)

1993

Behind the camera