Suelen Moreira

In an old, dilapidated mansion in downtown São Paulo, an old Shakespearean actor exiled from the stage lives with his ghosts. In his bed, surrounded by red curtains taken from an abandoned theater, he dreams of the plague and fire spreading throughout the country. A strange community forms around the old actor.

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.