Katarina Zhu

A drifting Chinese American cam girl struggles to navigate an increasingly toxic relationship with one of her clients while rekindling her relationship with her dying estranged father.

The acclaimed documentary series East of Main Street returns with a celebration of Asian Americans working in the film and television industries.

When four friends jump in a swimming pool, their unspoken expectations start bubbling up to the surface.

When Dakota moves back into her childhood home with her mother after finding little success two years post-grad, her fears surrounding her future combine with an infectious sense of suburban malaise to culminate in unshakeable nightmares. In search of comfort and guidance, she looks to her mother whose own upbringing during the Cultural Revolution in China has made her in equal turns tender and callous. Their volatile and tenuous relationship provides little relief for Dakota and with her friends seemingly worlds away, she is forced to find solace within herself.

After a nearly fatal misunderstanding which involved borrowing "ibuprofen" from a chemistry-seat partner, Andrea, a rebellious teenager, finds herself involuntarily admitted to a mental institution under suspicion of attempted-suicide. While there, she must learn to make the best of her stay, befriending the lively offbeat residents of the institution and coming to terms with her defiant behavior as a daughter, sister and friend.

A drifting Chinese American cam girl struggles to navigate an increasingly toxic relationship with one of her clients while rekindling her relationship with her dying estranged father.

A drifting Chinese American cam girl struggles to navigate an increasingly toxic relationship with one of her clients while rekindling her relationship with her dying estranged father.

A drifting Chinese American cam girl struggles to navigate an increasingly toxic relationship with one of her clients while rekindling her relationship with her dying estranged father.

When Dakota moves back into her childhood home with her mother after finding little success two years post-grad, her fears surrounding her future combine with an infectious sense of suburban malaise to culminate in unshakeable nightmares. In search of comfort and guidance, she looks to her mother whose own upbringing during the Cultural Revolution in China has made her in equal turns tender and callous. Their volatile and tenuous relationship provides little relief for Dakota and with her friends seemingly worlds away, she is forced to find solace within herself.

When Dakota moves back into her childhood home with her mother after finding little success two years post-grad, her fears surrounding her future combine with an infectious sense of suburban malaise to culminate in unshakeable nightmares. In search of comfort and guidance, she looks to her mother whose own upbringing during the Cultural Revolution in China has made her in equal turns tender and callous. Their volatile and tenuous relationship provides little relief for Dakota and with her friends seemingly worlds away, she is forced to find solace within herself.

On Hwa-young's last day of work before moving to New York, she has two disparate encounters with the same local that make her question the decision to leave her family and community behind.

On Hwa-young's last day of work before moving to New York, she has two disparate encounters with the same local that make her question the decision to leave her family and community behind.

After a nearly fatal misunderstanding which involved borrowing "ibuprofen" from a chemistry-seat partner, Andrea, a rebellious teenager, finds herself involuntarily admitted to a mental institution under suspicion of attempted-suicide. While there, she must learn to make the best of her stay, befriending the lively offbeat residents of the institution and coming to terms with her defiant behavior as a daughter, sister and friend.