
Acting
Jean-Louis Barrault
Born 1910-09-08 · Le Vésinet, Yvelines, Île-de-France, France
Jean-Louis Barrault (8 September 1910, Le Vésinet, Yvelines – 22 January 1994) was a French actor, director and mime artist, training that served him well when he portrayed the 19th-century mime Jean-Gaspard Deburau (Baptiste Debureau) in Marcel Carné's 1945 film Les Enfants du Paradis (Children of Paradise). Jean-Louis Barrault studied with Charles Dullin in whose troupe he acted from 1933 to 1935. At 25 years of age, he met and studied with the mime Étienne Decroux. From 1940 to 1946 he was a member of the Comédie-Française, where he directed productions of Paul Claudel's Le Soulier de satin and Jean Racine's Phèdre, two plays that made his reputation. Over his career, he acted in nearly 50 movies including Les beaux jours, Jenny, L'Or dans la Montagne and Sous les Yeux d'occident. In 1940, he married the actress Madeleine Renaud. They founded a number of theatres together and toured extensively, including in South America. He was the uncle of actress Marie-Christine Barrault and sometime sponsor of Peter Brook. He died from a heart attack in Paris at the age of 83. Jean-Louis Barrault is buried with his wife Madeleine Renaud in the Passy Cemetery in Paris. Jean-Louis Barrault, Reflections on the Theatre: "In fact it is the simplest things that are the most tricky to do well. To read, for example. To be able to read exactly what is written without omitting anything that is written and at the same time without adding anything of one's own. To be able to capture the exact context of the words one is reading. To be able to read!" Barrault from Melinda Camber Porter's Through Parisian Eyes: Reflections on Contemporary French Arts and Culture: "When I wake up in the morning I want to feel hungry for life. Desire is what drives me. When I go to sleep, I feel I have experienced a small death, so that I can wake up in the morning renewed and reborn." Description above from the Wikipedia article Jean-Louis Barrault, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting credits
7.6The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"
The Longest Day
1962
8.0In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
Children of Paradise
1945
4.9The story of the Swiss soldier, Henri Dunant, who was responsible for the founding of the Red Cross, and who was offered the first Nobel Peace Prize.
Man to Men
1948
2.0We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.
Morceaux de Cannes
2021
6.3Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.
Chappaqua
1966
6.9During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.
That Night of Varennes
1982
6.7Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.
Royal Affairs in Versailles
1953
5.9Charles le Temeraire asks in marriage Jeanne de Beauvais, daughter of King Louis XI, wishing to get her valuable lands in dowry. The King is wise to this, and since his daughter does not feel inclined to accept, he refuses. Charles sets up a plan to abduct the prince, in a way that the suspicions will fall upon Robert de Neuville, a noble enamoured of the princess. Robert manages to free her from the castle where she was being kept. Charles keeps setting traps, and managing people to perjure against Jeanne, and the King himself. Finally, Jeanne escapes alive from a pack of wolves, who set watching the lady alone in the snow covered woods, instead of attacking her. Charles does yet accuse her of being a witch - wishing to have her dead rather than being the wife of Robert... Robert will be her champion in a Judgement of God. Will the 'miracle of the wolfs' repeat itself, or fearless Charles defeat Robert in the sword duel?
Blood on His Sword
1961
7.0A star of Les Folies Bergères has to choose between her career and her love for an engineer.
Mirages
1938
7.3An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
La Ronde
1950
6.9A slippery femme fatale, a spy for Germany during the Great War, is sent to Thessaloniki in Greece and becomes involved with a man on the other side, a French military officer.
Street of Shadows
1937
6.7Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.
Experiment in Evil
1960
NRDocumentary examination of the role of Hamlet, in which ten prominent actors who have played the part discuss Hamlet's personality, Shakespeare's play, and the enduring popular fascination it has inspired. The actors interviewed are Laurence Olivier, John Gielgud, Richard Burton, Nicol Williamson, Ben Kingsley, Jean Louis Barrault, Vittorio Gassman, Maximilian Schell, Innocenti Smoktunovsky, and Mandy Patinkin. Includes excerpts from various film and television versions of Hamlet, featuring these actors and others.
To Be Hamlet
1985
6.5The story of the seven pearls of the English Crown, from Henry VIII to 1937 – three of them missing.
The Pearls of the Crown
1937
7.0A French farce set in Victorian London where a botanist and his wife get into trouble when they pretend to go missing in order to hide from their sanctimonious cousin – an Anglican bishop who is leading a campaign against such writing.
Bizarre, Bizarre
1937
6.8Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.
The Life and Loves of Beethoven
1937
5.8Maurice loves Juliet and Michael loves Lily. Romance blossoms on the hill. They are workers, artisans, and Lily has a real talent as a singer. But Claude's arrival brings trouble to their relationships. Maurice, jealous, approaches Lily. Singing in the streets, Lily quickly becomes a cabaret star.
Montmartre on the Seine
1941
9.0A man dreams he is in a wax museum after it is closed for the night.The statues come to life and behave in mysterious ways.
Musée Grévin
1958
9.5Two bank employees like Lucie, their colleague. They steal money from the cash register to gamble. Jean wins and Paul ends up in prison for five years. When he leaves, he discovers that Jean has become a businessman and that he has married Lucie.
À nous deux, madame la vie
1937
6.8The mistress of an engineer meets the man's pregnant wife and decides to give up the liaison.
Orage
1938
7.4This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion.
The Dialogue of the Carmelites
1960
3.0Nobel-prize-winning author, social justice crusader, anti-colonialist, adventure traveler, musician, and one-time Communist: André Gide was a larger-than-life character who dominated French letters from the turn of the 20th century to his death in 1951. Directed by Marc Allégret, with whom Gide traveled extensively in French Equatorial Africa, the film was made in the year leading up to the writer’s death.
With André Gide
1952
8.0An urban gigolo on the run from a mobster hides out at the remote cabin of a female novelist in this plodding romantic drama. Her neighbors include an elderly man with a penchant for growing sunflowers and an unhappy neighbor girl with emotional problems. Love blossoms for the unlikely couple who somehow realize their liaison is doomed to failure.
La lumière du lac
1988
6.5After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.
J'Accuse
1938