Gideon Levy

BEAUFORT tells the story of LIRAZ LIBERTI, the 22 year-old outpost commander, and his troops in the months before Israel pulled out of Lebanon. This is not a story of war, but of retreat. This is a story with no enemy, only an amorphous entity that drops bombs from the skies while terrified young soldiers must find a way to carry out their mission until their very last minutes on that mountaintop.

For more than 20 years, the journalist Gideon Levy brought horror stories from the occupied territories to Israeli readers. A play writer reads his article and writes a play, a theater director adapts it to the stage, actors play in it to the audience, which are now able to encounter on stage the not so distant horrible reality. A mediated encounter. And now, accessible for you, a film... 'Keywords' exists in times where info is a product. It casts doubt on the capability of Media and Arts to fulfill the role they once filled: actual contact between people.

“When I do my suicide for you, I hope you’ll miss me too,” Herman Brood sang in “Rock ‘n’ Roll Junkie” – just one of many announcements of his own death Brood worked into his songs. It’s a subject Brood, who jumped off the roof of the Amsterdam Hilton 15 years ago, often sang about. In Unknown Brood, a whole range of people look back on the rock and roller’s turbulent life, including fellow musicians, his manager, a former girlfriend, photographer Anton Corbijn, Brood’s wife and their daughter. Video footage shot by Brood himself and never seen before is intercut with a rich collection of archive material, including a humorous clip of Brood barking the Dutch national anthem. His sister Beppie Brood stresses her brother’s split personality: on the one hand the shy, vulnerable man wary of other people, and on the other the one who played Herman Brood – an extravagant, hedonistic junkie and rock and roll star.