Tamás Herczeg

In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper Jewish burial.

Lotti comes home drunk at daybreak. Her boyfriend Karcsi greets her with silent rejection. Lotti dreams of her parents and her childhood. The next day, the couple get ready for the visit of Karcsi's parents. Lotti is haunted again and again by memories of the day that was in her dream. They get everything ready, and for a moment, things seem to be fine. Karcsi's parents ring the bell. Lotti is left alone for a few minutes. Karcsi's overwhelming expectations bury her. Her escaping mechanism is her father's bad patterns from the past. She hides from everyone in the pantry and pulls out a bottle of red wine.

Liv Sandor, 38, following an argument with her boyfriend, sets off to wander the city, observing passers-by and reminiscing about her past loves. In all her relationships, there was always a turning point, when things started going downhill. On the streets of Zurich Liv faces her fears, joys and demons. In her third feature film, Swiss director Anna Luif tells the tragi-comical trajectory of an independent woman who learns to love on life’s emotional rollercoaster. A rhythmic, colourful, collage-like journey into the mind and soul of modern women.