Panos Thomaidis

From the façades of the capital's main cinemas in the 1950s and 1960s, inviting passers-by into the dark theaters, George Vakirtzis's gigantic, original, and bold visual creations today adorn public and private collections and are internationally acclaimed.

200 years after the Revolution of 1821, descendants of freedom fighters from Spetses meet with historians and recount the events, as they have survived in oral tradition and archives.

From the façades of the capital's main cinemas in the 1950s and 1960s, inviting passers-by into the dark theaters, George Vakirtzis's gigantic, original, and bold visual creations today adorn public and private collections and are internationally acclaimed.

From the façades of the capital's main cinemas in the 1950s and 1960s, inviting passers-by into the dark theaters, George Vakirtzis's gigantic, original, and bold visual creations today adorn public and private collections and are internationally acclaimed.

From the façades of the capital's main cinemas in the 1950s and 1960s, inviting passers-by into the dark theaters, George Vakirtzis's gigantic, original, and bold visual creations today adorn public and private collections and are internationally acclaimed.

200 years after the Revolution of 1821, descendants of freedom fighters from Spetses meet with historians and recount the events, as they have survived in oral tradition and archives.