Courtney Egan

Experimental digital animations as visual metaphors for psychological states of mind, body sensations and memories. 2003, 8 minutes.

A tool-driven tour through American cinematic entertainment. 2003, 3 minutes.

Embodies a mute obsession with body image, in constant flux, wishing to live forever, embalmed in youth. 2004, 4 minutes.

Mid-City, New Orleans - the bottom of the bowl. A filmmaker restores what she can of her soggy home movies, which sat in floodwater for three weeks. Another filmmaker shoots the same compositions in the same neighborhood, now abandoned, 10 months after the flood. Edited together they provide a testament to the slow nature of New Orleans’s recovery and its missing populace.

Experimental digital animations as visual metaphors for psychological states of mind, body sensations and memories. 2003, 8 minutes.

A tool-driven tour through American cinematic entertainment. 2003, 3 minutes.

Embodies a mute obsession with body image, in constant flux, wishing to live forever, embalmed in youth. 2004, 4 minutes.

Mid-City, New Orleans - the bottom of the bowl. A filmmaker restores what she can of her soggy home movies, which sat in floodwater for three weeks. Another filmmaker shoots the same compositions in the same neighborhood, now abandoned, 10 months after the flood. Edited together they provide a testament to the slow nature of New Orleans’s recovery and its missing populace.