Atanáz Babinchak

Geralt of Rivia, a mutated monster-hunter for hire, journeys toward his destiny in a turbulent world where people often prove more wicked than beasts.

In a world cleaved in two by a massive barrier of perpetual darkness, a young soldier uncovers a power that might finally unite her country. But as she struggles to hone her power, dangerous forces plot against her. Thugs, thieves, assassins and saints are at war now, and it will take more than magic to survive.

Instead of ten commandments, ten intertwined Tinder dates: virtual relationships, bleak joys, fast-paced moves, spiritual deviance, hypocritical hypocrisy, perverse homophobia, lustful bloody revenge, and in the background a surprising twist that is far from being about joys... This boundary-pushing independent film is not a traditional romantic story, but an experimental, provocative look at the 2020s, where the search for happiness is often just a swipe right away, yet it seems unattainable.

The film is following the undefined relationship between the two characters, based on autobiographical events and raw dialogues about insecurity, nostalgia. They attempt to explain their thoughts whilst they cook pancakes or take a walk along the river, while being stuck in the feeling of emptiness.

No synopsis available yet.

Margot, a brilliant young scientist with a troubled marriage, disappears inexplicably while hiking with her husband Sam and a group of friends. A few weeks later, she miraculously reappears the day of her own memorial service. Margot is clearly not the same as before the accident. Nevertheless, Sam sees his wife’s miraculous reappearance as a second chance.

Geralt of Rivia, a mutated monster-hunter for hire, journeys toward his destiny in a turbulent world where people often prove more wicked than beasts.

In a world cleaved in two by a massive barrier of perpetual darkness, a young soldier uncovers a power that might finally unite her country. But as she struggles to hone her power, dangerous forces plot against her. Thugs, thieves, assassins and saints are at war now, and it will take more than magic to survive.

The film is following the undefined relationship between the two characters, based on autobiographical events and raw dialogues about insecurity, nostalgia. They attempt to explain their thoughts whilst they cook pancakes or take a walk along the river, while being stuck in the feeling of emptiness.

The film is following the undefined relationship between the two characters, based on autobiographical events and raw dialogues about insecurity, nostalgia. They attempt to explain their thoughts whilst they cook pancakes or take a walk along the river, while being stuck in the feeling of emptiness.

No synopsis available yet.

This is the story of a group of people who sought to separate pain from its conventional utility and explore it as an entity, a vehicle for consciousness.