Emma Suárez

The late 1970s, somewhere in the Mediterranean: Marcos Timoleon, a tycoon, is throwing a lavish, extravagant birthday party for Sofia on his exclusive private island. The party is a perfect excuse for various people in his life to approach him with their own agendas.

Queen Esmeralda hates men because they have always limited her freedom, so she does not want her two daughters to suffer the same fate. Therefore, when the ship in which they are traveling passes near an apparently deserted island, she invokes a portentous storm.

Diego decides to travel to Lanzarote with his wife Alba to try and save their marriage for the umpteenth time. A toxic relationship, with no sexual chemistry and constant arguments, amidst comings and goings with other people, not caring how much they hurt one another. Alba keeps her shell drawn tightly around herself, not realising that her attitude is the cause of their failed relationship.

Olivia, a 12-year-old middle class girl, is forced to reorganize her basic needs when her family (mother, little brother and herself) is evicted and forced to live in a squatted apartment on the edge of the big city, in a rough neighborhood. Her mother can no longer bear the situation and falls in a depression, so Olivia has to replace her. It means caring for her brother and her own mother, while dealing with the feeling of an emotional earthquake. But she is not alone, Olivia will make friends that will help her to see her own life from other points of view. Because things don’t always happen the way we want, but we can choose the way we live them.

It tells how 14 characters travel in a mysterious vehicle that they cannot easily get out of. Along the way, they fabricate about their identity and travel through unreal landscapes on a journey between life and death, sleep and wakefulness. According to the synopsis, "a tragicomedy with no certainties".

Maggie is in her final days of pregnancy, when she and her husband Sean are attacked in their isolated home by two people who decide to wait with them until Monday to empty the family's bank accounts.

Two sisters bring their families together for a summer weekend near Madrid to celebrate milestones and the San Juan Festival. The celebration turns dark when a child makes a serious sexual abuse allegation.

A profoundly feminine drama about the agreements and disagreements between three actresses of different ages united by family ties and separated by generational conflicts, with artistic creation as a backdrop.

Three women. One same age. Three ways to face it.

The journey around the world depicted in Zurbarán's series "Jacob and His Twelve Sons" serves as a thread to guide us through the life and work of one of the titans of Spanish Baroque, while also revealing the unique history of this series. After being exhibited in Dallas, New York, and Jerusalem, the paintings return to Auckland Castle as the heart of a project that seeks to regenerate this area in the northeast of England.

A mother is trapped by both a close bond to her daughter and a day-to-day life whose elephant in the room is her own addiction, which nobody mentions, remaining a taboo.

Faced with life changing news, María, a fifty-five-year-old Spanish woman from Bilbao, chooses to take a trip to Greece with her closest girlfriends against the advice of her son and doctors. A spontaneous decision leads her to the island of Nisyros, a tiny haven of peace and calm that immediately feels like home. While exploring the beautiful island and soaking in its hidden treasures, she meets Stefanos and finds herself falling in love against all odds.

On Christmas Eve, emotionally distant mother Manuela's six-year-old Iván disappears from a mall. As two Guardia Civil investigators pursue the case, Manuela is driven toward a more unsettling possibility: she may be losing her grip on reality. With no evidence of a kidnapping, the case escalates when authorities uncover her criminal past — and no one claims to remember ever seeing her with a child. As time tightens, Manuela must prove her innocence before it’s too late.

Raquel is desperate: a series of unfortunate events have led to her daughter being taken and she needs a large amount of money to get her back, and fast. After a desperate plea to the bank, she manages to secure the loan she needs. The problem is that precisely at that moment, a peculiar couple of robbers enter the branch: the drug-addicted Jonan and his partner Lola, who is a deadly combination of smart and psychotic. But Raquel’s stakes are too high, and she knows she must think carefully to outsmart them, save herself and get her money.

The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.

A teenager who went missing and was presumed dead returns home after eight years to find a family deeply affected by his disappearance. Gradually, doubts arise about whether he really is the missing boy or an impostor.

The family, the tenant, the wedding, the businessman, the neighbors, the poor child and the run over. 7 black comedy stories of a dysfunctional society.

Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

Maria suffers from Alzheimer's disease. Luis, Maria's fifteen-year-old grandson, doesn't say very much either; he shuts himself off in his own silent world to escape his parent's marital crisis, spending time instead picking up stray cats and dogs off the street. His father, Miguel, wants to put a stop to this eccentric behavior, but his protective mother Alice indulges him. Nevertheless, the animals begin to appear at home in increasing numbers, making life complicated for the family in their flat.

A young publicist, with a successful professional life but with an empty personal life, finds himself on a trip against time to get to an important business meeting. During the trip, he meets a girl and, although they are very different and have opposite ways of life, they click when recalling the most mythical and emotional time of their childhood: the last summer they spent with their gang

After moving back to her family home to care for her dying mother, a nurse haunted by her childhood memories must struggle with an evil force in the house.

Documentary that recreates the biography of the Catalan composer and pianist Enrique Granados (1867-1916), his trips to Madrid, Paris and New York, his sensitive nature, the struggle to make his way in life despite the family economic straits and his first successes The story, built from vintage images, is interspersed with versions of the Granados repertoire by interpreters such as Rosa Torres-Pardo, Evgeny Kissin, Cañizares, Arcángel, Rocío Márquez, Carlos Álvarez and Nancy Fabiola Herrera, among others.

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

Ecological comedy about two brothers. Alejandro and Guillermo are two Asturian brothers lovers of Nature since they were children. Alejandro is a renowned zoologist who investigates wildlife and lives in the trees like an animal. Guillermo is an internationally renowned biologist, who has received numerous awards. One day he discovers a green sprout in Antarctica and, convinced that the battle is lost, leaves everything and goes back to Asturias. Once there, he looks for his brother Alejandro in the forest where they live. Since the arrival of Guillermo to the forest, the sentimental ecosystems of the characters will be altered.

New York City, October 10, 1965. A group of wooden giant figures from Pamplona, representing Basque culture and traditions, parade down the street; but the local authorities have not allowed the appearance of all of them: due to the racial prejudices that persist in many sectors of society, the participation of two black giants has been banned.

A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira "the Prado museum of prehistory".

The story of Alex, a fresher who rejects hazing, and Carla, a fresher who doesn't care too much about it. Between them, two opposite ways of face hazing, will grow a loving relationship, who help them to overcome the problems.

The young Lucas shares a flat with her partner Eimish in Madrid. One day to buy a rose for her, which prevents her crossing the street when she left. When he gets home he finds a letter that says he is going to Germany. It is then that without a second thought, and acting for the first time in his life moved by impulse, decides to take the first train traveling to Berlin to try to convince his girlfriend to come back to his side. When he reach the city he will realize that she is not there, so he decides to take new direction to Verona (Italy). But things get worse in the adventure: she must stand up to certain situations in her past, and he will change his idea about family and love.

Selfish, opportunistic Benito returns to his home in Navarre when he learns that his father is dying. There, he reconnects with his younger brother Lalo, a metal sculptor who is emotionally needy. Benito also develops a surprising bond with Ainara, the young daughter of his brother's girlfriend, Nines.

A businessman returns his family home after eight years in exile avoiding the terrorism of the ETA.

While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.

"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris.

"Dama de Porto Pim" tells the story of a rich woman who arrives at a little Portuguese island while her husband is in the II World War; there, a humble fisherman, promised to marry a girl of the town, falls in love with her, and she will also fall in love with him, but his husband could come back.

An aspiring teacher (Eduardo Noriega) falls for a maid (Ingrid Rubio) in a village where people claim they see the Virgin Mary.

A mysterious exterminator falls in love with two women who live in a distinctive wine-producing region in Spain.

Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana shows up wanting to rekindle their affair. He resists at first, but she stays, asserting that Juan is the only man she can ever love. Juan distances himself from Rosario. The mine has problems: high cancer rates in the area caused by poorly stored radioactive waste. A foreign safety engineer, Petersen, tries to connect with Ana, is rebuffed, but lets her stay in his sea-front bungalow. Juan seeks her out to demand she leave, only to argue with Petersen. Death, desire, and longing play out.

Jota's suicide attempt is interrupted when a motorcyclist crashes off a bridge. After he rescues her, he decides to invent a life story for her — one of love and shared memories — creating a fragile web of deception that intertwines their fates.

After experiencing a series of traumatic, seemingly unrelated, accidents, Eva begins to notice that her daughter Luna is behaving in increasingly strange ways.

An act of cowardice influences the lives of two Basque families over three generations.

After the father of Marga’s unborn child dies, the young woman loses all hope, until she meets a dashing, handsome gentleman who just might be the man of her dreams -- aside from the fact that he happens to be gay…

The relationship that botanist Angel establishes in his mind between plants, their stems, petals and pistils and the legs and feet of women, is the common thread of a plot that mixes sexual passion, love, greed and picaresque through a study of characters and situations.

Daniel is a yuppie that hasn't been been able to lead a satisfactory sentimental life. One day he meets Yolanda, a beautiful young woman who has a daughter, Patricia, and who hasn't been very lucky in life either. They decide to get together and they go to live in his house, an old and eerie mansion. Soon enough, their relationship starts to become difficult; the isolation of the house and Daniel's mysterious past transform Yolanda's illusions of happiness into an existence of fear and distrust. Finally Yolanda decides to find out who the person she's living with really is, and in doing so she puts her life and her daughter's at risk.

A blind woman is the witness of a murder.

Angel Barciela and the police inspector Francisco Valduque meets after several years in the funeral of Buendía engineer. Both expect to see Julia, the daughter of the deceased and one of those involved in the investigation.

Retired billionaire, Rooney, feels his family loves only his money and not him. He plans to live as an adult baby with his wet nurse, Sagebrecht. When thieves break into his mansion and hit him on the head, he starts to grow younger.

Countess Diana de Belflor is in love with Teodoro, her secretary, but he is engaged to Marcela.

No synopsis available yet.

A young man, Onofre Bouvila, arrives in Barcelona escaping the troubles of his family. Knowing no one, his only objective is to build a new life. But Barcelona is a city run by warlords and mafias. And it doesn't take Onofre long to understand that in order to move forward has to adapt to the prevailing order of things: only power and money have value. The rest doesn't matter. His ambition is endangers his only love, Delifina.

In the 13th century, desolation and misery lead the inhabitants of a village in the Pyrenees to emigrate to Burriana, in Valencia, a region considered to be the Promised Land. During the journey, love, hatred and suffering will jeopardize their arrival at their longed-for destination. At the same time, they will be involved in the war waged by King James I to reconquer these lands held by the Muslims. Reaching the end of the journey will be an odyssey.

Luz, the daughter of an ambassador living in Madrid, discovers that she is HIV-positive. At the same time, she meets Luis, an advertising executive leading an AIDS awareness campaign. As their relationship develops, both are forced to confront the realities of living with the disease.

Rocío, is in love with Mario, a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.

A fictionalized diary of an eleven-year-old girl who records an "inconceivable" seduction and scandal that forced her to leave Spain in the 1910s, based on the 1945 novel "Memoirs of Leticia Valle" by Spanish writer Rosa Chacel.

This is a Spanish Drama starring Antonio Banderas

No synopsis available yet.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

A few days ago, Lucia (Assumpta Serna) receives anonymous letters in which he is forced to perform certain actions that she accepts without question. Her current boyfriend, Arthur (Xabier Elorriaga), suspects the mysterious sender can be Lucia's former lover, whose strange death never reached clarified. Now it's time it's Arthur who put the cards on the table to get to the bottom of it.

Two friends just find any temporary jobs to get by. One of them quits his job as a waiter to move to work as a messenger; the other is working as a taxi driver. The messenger, in his comings and goings at night, go through many offices, private homes and bars and will be in the most varied situations: some of them dark, sometimes sinister and pathetic and some even pleasant.

Comedy thriller directed by Miguel Hermoso.