Sergei Yakubenko

In a nostalgic Moscow of 1976, an unlucky actor meets a charismatic writer, a living classic of Soviet literature, who turns his life into a tragicomic farce with the artistic bohemia, foreign-currency prostitutes, the KGB staff and agents of the CIA.

Moscow, 1986, the heat of Perestroika. Borya is an average clumsy teenager who is miraculously admitted to the legendary Bolshoi Ballet School. The boy is convinced that he will become a ballet dancer like his father, Mikhail Baryshnikov. But is this father real or imaginary?

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

The play is a compositional study based on a story by Boris Vakhtin. The desire to introduce the audience to the poetic world of Vakhtin's prose and to find an atmosphere reminiscent of the author led the creators to use the form of studies, stage sketches that are extremely conventional and open to the audience's perception. The search for intonation and the fine line between conventionality and authenticity of experience were central to this work.

One day Pavel, a young man wounded in the war, suddenly shows up at the home of a Moscow scientist name Krymov and claims to be his illegitimate son. Krymov denies this, but out of compassion he helps arrange a necessary operation for Pavel. Then certain things begin happening which suggest to Krymov that he may have a psychologically unstable fellow on his hands.

A cartoon based on the novel of the same name by A.S. Pushkin.

The test of feelings, a love triangle, strikes and labor unrest at his native plant are increasingly captivating the protagonist and lead to separation from his wife. Each foray into the factory barricades turns into misfortune, but neither persuasion, nor the arrival of his wife's sister from Moscow, nor the discord with a close friend can stop Valery. But now the passions at the factory have subsided, and our hero is left with nothing: only fragments - no friends, no wife. Instead of his wife there is another woman who saved him from death...

During an anniversary dinner, an undertaker is offended when someone jokingly offers a toast to the health of his customers. He claims that he will hold a house-warming party with his customers instead of his neighbors, only to find out later that his invitation has been accepted.