Nikolay Pazhitnov

A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once had. Vorobyaninov in cooperation with a young con artist Ostap Bender start a long search for the diamonds.

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Based on the eponymous novel by A.F. Pisemsky. A play about the all-powerful influence of money and the morals of the bureaucratic world that destroy everything honest, good, and humane.

The authors, like Isaac Babel, rejected the depiction of battles, the simplification, and varnishing of reality, instead conveying the dramatic tension of the post-revolutionary years: the explosion of awakened human energy and the tragic collisions of destinies.

Princess Mariya fell in love with doctor Toporkov, who was treating her, in the recent past the serf of her family. Now he has become a celebrity and is only concerned about buying a new home profitably. He does not notice her love and marries a rich merchant. The princess in love comes to see Toporkov and opens to him. Her strong feeling touches Toporkov’s hardened heart, he leaves his wife and leaves the princess abroad.

The king married an intelligent and beautiful peasant girl, but he was not very smart himself, and his wife's superiority offended him. He sent his wife away, however, allowing her to take with her what she holds most dear. She gave the king a sleeping drink, and when he fell asleep, she took him to her hut: he was the most precious to her. Touched, the king returned his wife to the palace.

Katusha, a country girl, is seduced and abandoned by Prince Nekludov. Nekludov finds himself, years later, on a jury trying the same Katusha for a crime he now realizes his actions drove her to. He follows her to imprisonment in Siberia, intent on redeeming her and himself as well.

A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.

Bolshevik Mravin, under the name of engineer Pyotr Ivanovich Lednev, risking his life, takes V.I. Lenin’s “Letter to the American Workers” to America. With the help of John Reed, he publishes it in one of the newspapers.

It is May 1912. Thirteen political prisoners are being tried in a naval fortress of Kronstadt. They are sentenced to death by hanging. A clandestine Bolshevik organization decides to free the prisoners during their transfer to the place of execution. Vasily Panin, a junker of a school of naval engineers, is one of those entrusted with this dangerous task.

At one court hearing, a witness, who is engaged in prostitution, refused to take the oath, cause she didn't consider herself as a Christian. That incident caused great excitement in the hall.

Prince Myshkin returns to Russia from Switzerland, where he was treated in a psychiatric clinic. On the train, on the way to St. Petersburg, the prince meets Parfyon Rogozhin, who tells him of his passionate love for Nastasya Filippovna, the former containment woman of the millionaire Totsky. In St. Petersburg, the prince finds himself in the house of his distant relative – Lizaveta Yepanchina (General's wife), meets her husband, their daughters, as well as the Secretary of General – Ganya Ivolgin. The portrait of Nastasya Filippovna, accidentally seen on the general’s table, makes a great impression on the prince...

Major timber merchant Yegor Bulychyov is terminally ill. In his house, he is surrounded by insignificant and greedy people, impatiently waiting for his death. Clever and insightful Yegor understands that he lived his whole life with strangers. He protests in his own way against the dissimulation and hypocrisy of the "masters" - the clergy, liberals, against the foundations of the bourgeois society that is going to collapse. Bulychyov's dying curse drowns his class in the powerful sounds of a revolutionary song.

Leonato, governor of sunny Messina in Sicily, warmly welcomes Don Pedro, Prince of Aragon, to his home. Don Pedro has arrived in the city accompanied by his retinue after the victorious conclusion of the war. The retinue includes the prince's friends, young officers: Claudio from Florence and Signor Benedick from Padua. The romantic Claudio immediately falls in love with the beautiful Hero, Leonato's daughter, and the prince offers to help the lover. At night, at a masquerade ball, he reveals Claudio's feelings to the girl on his behalf and agrees with her father on the wedding...

A comedy about a naive young architect and his wild designs for a “New Moscow.” The Soviet censors weren't at all amused and shelved it.