Yukari Onoe

Yuri Ishikawa and her team try to crack unresolved cold cases in Kanagawa Prefecture, Japan.

Izumo no Okuni was born about 1571. This time period in Japanese history was fraught with struggle. It was known as the Period of Warring States, that is, the land barrons (daimyo) fought against one another for power. Her father was a blacksmith for the Izumo Grand Shrine and, consequently, the family served as well. It was a custom to send priests and young women, such as Buddhist nuns, among others to solicit contributions. Izumo was sent to Kyoto to perform sacred dances and songs. Her Okuni Kabuki was known and applauded throughout the land. After 25 years she retired.

Screen icon Sayuri Yoshinaga stars in this historical melodrama about geishas in the southern city of Nagasaki set during the 1920s. Though she was sold to a geisha house at a young age, Aihara (Yoshinaga) has since become a master samisen player and woman of great elegance. Though not especially rich, she doles out money to street kids, in particular, a pretty young flower vendor named Oyuki, who becomes Aihara's godchild of sorts. Yet when a geisha (Reiko Takashima) from a rival red-light district insults Aihara and her brethren, she fights back. Soon an all-out geisha war looms. Dapper businessman and amateur scholar Tojiro Koga (Tetsuya Watari) appears on the scene and defuses tempers -- suggesting that difference be settled through a competition of artistic abilities. Smitten with her talent and mature beauty, Koga invites Aihara to record Nagasaki folk songs before they disappear forever

Higuchi Ichiyo is the first female professional novelist in Japanese literature. This tanpatsu drama is a biography of her personal life.

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Yuri Ishikawa and her team try to crack unresolved cold cases in Kanagawa Prefecture, Japan.

Izumo no Okuni was born about 1571. This time period in Japanese history was fraught with struggle. It was known as the Period of Warring States, that is, the land barrons (daimyo) fought against one another for power. Her father was a blacksmith for the Izumo Grand Shrine and, consequently, the family served as well. It was a custom to send priests and young women, such as Buddhist nuns, among others to solicit contributions. Izumo was sent to Kyoto to perform sacred dances and songs. Her Okuni Kabuki was known and applauded throughout the land. After 25 years she retired.