Sergio Gagliardi-Gag

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.

What does your hair say about you? With this question, we approached more than forty people in Salvador, Belém do Pará, Rio de Janeiro and São Paulo and the answers reveal stories of resistance, conquest, affirmation and overcoming. Based on ethnic, age, socioeconomic and gender diversity, we can draw an original portrait of contemporary Brazil from the hair of Brazilians.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.

What does your hair say about you? With this question, we approached more than forty people in Salvador, Belém do Pará, Rio de Janeiro and São Paulo and the answers reveal stories of resistance, conquest, affirmation and overcoming. Based on ethnic, age, socioeconomic and gender diversity, we can draw an original portrait of contemporary Brazil from the hair of Brazilians.

What does your hair say about you? With this question, we approached more than forty people in Salvador, Belém do Pará, Rio de Janeiro and São Paulo and the answers reveal stories of resistance, conquest, affirmation and overcoming. Based on ethnic, age, socioeconomic and gender diversity, we can draw an original portrait of contemporary Brazil from the hair of Brazilians.

A reflection on identity from memory. Who we are, how we are seen and how small gestures can be charged with meanings and intentions, sometimes hidden, sometimes not so much.

After being born Georgina in the outback of Bahia, she became known as Diva Rios in São Paulo’s Boca do Lixo and Rio de Janeiro’s Lapa, as well as Suzy King in the nights of Copacabana, but died as Jacuí Japurá on the border of the United States and Mexico. Four names for just one woman: fascinating, moody and very creative. Singer, songwriter, actress, ballet, folk, burlesque and exotic dancer, snake charmer and fakir were only some of the artistic endeavors she tackled during her life. Found dead on the trailer where she lived in August of 1985, in California, she left behind stories without conclusion, lost remainings of her troubled trajectory and a trail of mystery. Three decades later, two historians gather fragments of her tale with the goal of piecing together the complex puzzle that was her life. Actresses, singers, musicians and performers join them to rescue the poetic aspects of her unique personality. A question resounds throughout the entire movie: Suzy King, who are you?

No synopsis available yet.

1972. A Kombi travels from Amsterdam to Goa, India. This journey is the raw material for Boom Shankar, the only film directed by Guará Rodrigues, a mythical character in Brazilian cinema, both as an actor and behind the camera, as an assistant to some of the greatest directors of the period. That film disappeared before its release, but some recently found fragments are combined with testimonies from members of the trip that recover the libertarian and pioneering spirit of the time.

1972. A Kombi travels from Amsterdam to Goa, India. This journey is the raw material for Boom Shankar, the only film directed by Guará Rodrigues, a mythical character in Brazilian cinema, both as an actor and behind the camera, as an assistant to some of the greatest directors of the period. That film disappeared before its release, but some recently found fragments are combined with testimonies from members of the trip that recover the libertarian and pioneering spirit of the time.

Sofia has a very clear goal: pass the entrance exam, find a job and leave home. However, when the school where she studies is occupied by her friends and classmates, she finds herself in a dilemma between continuing to study alone or sharing her knowledge in transforming the school.