Alyson Cambridge

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake."

Six months after deciding to pull herself together and get sober, Bridget witnesses a murder. Realizing her life is in danger and not trusting the FBI to protect her, she runs to her wealthy twin sister, Siobhan, in New York. Things start out well—with the two patching up a fractured relationship—when Siobhan suddenly goes missing. Bridget assumes her sister's identity, but soon learns that Siobhan's life is not as perfect as it looks and she is no safer than she was before.

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. La Rondine (The Swallow) was commissioned by Vienna s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Six months after deciding to pull herself together and get sober, Bridget witnesses a murder. Realizing her life is in danger and not trusting the FBI to protect her, she runs to her wealthy twin sister, Siobhan, in New York. Things start out well—with the two patching up a fractured relationship—when Siobhan suddenly goes missing. Bridget assumes her sister's identity, but soon learns that Siobhan's life is not as perfect as it looks and she is no safer than she was before.