Mamen Díaz

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

Violeta is in her early twenties and is doomed to spend the summer in Madrid doing an internship in a publishing house. During those weeks, she will make new friends, and she will make decisions, some good, some bad. And, above all, she will learn that failure is more an art than a tragedy.

Mamántula is the boy everyone wants, but also a giant spider transvesting as a human, fruit of a brief encounter in the Berlin Tiergarten, in an alternate past of brutalist saunas, endless subway corridors and detectives with raincoats and hats. Each of Mamántula's lovers are a new victim of his insatiable appetite for revenge and sperm; and each victim, one more thread of the web with which he intends to apprehend the entire planet. Will Golden Dick be able to stop him? Will a couple of lovebirds with police badges get him? Or will the gay community have to step in and take the law into their own hands?

Violeta is in her early twenties and is doomed to spend the summer in Madrid doing an internship in a publishing house. During those weeks, she will make new friends, and she will make decisions, some good, some bad. And, above all, she will learn that failure is more an art than a tragedy.

Violeta is in her early twenties and is doomed to spend the summer in Madrid doing an internship in a publishing house. During those weeks, she will make new friends, and she will make decisions, some good, some bad. And, above all, she will learn that failure is more an art than a tragedy.

Violeta is in her early twenties and is doomed to spend the summer in Madrid doing an internship in a publishing house. During those weeks, she will make new friends, and she will make decisions, some good, some bad. And, above all, she will learn that failure is more an art than a tragedy.