Guilherme Sant'Anna

Romeo and Juliet are kids that belong to different worlds, rival groups, and enemy families, but they like each other and can’t help the feeling. To stay together, they have to solve mysteries from the past and face those who they love the most to bring back harmony.

The turmoils of a messy entertainment television host, his production team, and his dysfunctional family.

The documentary is structured as a video letter from a black man denouncing the persistence of racism in Brazilian society and media, a century after the official end of slavery. Thus, it presents the contradictions between two images of racial relations in Brazil: the image disseminated abroad, which spreads the myth of racial democracy, and the internal image, presented in textbooks and on television, in which negative stereotypes are perpetuated against the black population.

In a nearly empty jury courtroom, a Black man awaits a trial. Another stranger, who is missing a leg, arrives and, after being offered a seat, asks to be insulted. His request disrupts the conventions of an apparently ordinary situation, setting in motion a confrontation in which dignity, offense, and the limits of social interaction take on absurd dimensions.

Romeo and Juliet are kids that belong to different worlds, rival groups, and enemy families, but they like each other and can’t help the feeling. To stay together, they have to solve mysteries from the past and face those who they love the most to bring back harmony.

The turmoils of a messy entertainment television host, his production team, and his dysfunctional family.