Gene Krupa

“A tribute to the Swing Era evoked by skillful intercutting of rare material examining the varying fortunes of five ex-Basie sidemen. It looks at the years between 1930 and 1945 when Swing was in its heyday. Features a large number of artists including: the Count Basie Band, Buddy Tate, Earle Warren, Buck Clayton and Gene Krupa.” - BFI

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

Young Benny Goodman is taught clarinet by a music professor. He is advised to play whichever kind of music he likes best, but to make a living, Benny begins by joining the Ben Pollack traveling band.

A made-for-TV musical revue, compiled from soundies and film and TV performances by jazz greats from the 1930s to the 1950s.

TV goes Hollywood when Steve Allen visits Universal-International to prepare for his upcoming title role in "The Benny Goodman Story."

It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.

A group of academics have spent years shut up in a house working on the definitive encyclopedia. When one of them discovers that his entry on slang is hopelessly outdated, he ventures into the wide world to learn about the evolving language. Here he meets Sugarpuss O’Shea, a nightclub singer, who’s on top of all the slang—and, it just so happens, needs a place to stay.

Two silky-smooth producers line up a potential backer (who'll put up half the cash) for a musical review. The catch is that they must find someone else to put up the other half. Enter cigar-smoking cross-dresser "Bumpsie" (Tim Moore), who poses as a wealthy society matron to fool the angel! Features vintage jam sessions with swing drummer Gene Krupa, Big Sid Catlett and his band, The Slam Stewart Trio and The International Jitterbugs.

Liza Lee, fast-talking press agent for Al Jarvis, persuades Jarvis to stage a Musical Mystery Contest, with a $5000 prize to the person who can first name the most musical numbers and their performers. Lots of musicians perform.

In New Orleans, young Kit Latimer, who loves and plays the African-American music of the city, moves to Chicago with her architect father, George. Over the next several years, Kit discovers that the ragtime of her childhood has developed into jazz. Struggling coronet player Johnny Schumacher befriends Kit, who is arrested after her music incites a riot at a club. Upon release, the two form a band.

Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place.

Two couples work through their issues in this backstage Broadway musical.

Two reel comedy starring Gene Krupa as an Orchestra leader trying to make it in New York.

Singer Ann wants back her money that the manager of a big-band has embezzled.

Includes the segments, "Bop Boogie", "Sabre Dance" and "Disc Jockey Jump" by Gene and the band with vocalist Dolores Hawkins and introduced by Disc Jockey Fred Robbins.

Gene Krupa and His Orchestra have a jam session.

The growth of small-town juvenile crime starts a movement for the construction of a youth center. The project leaders discuss with town mayor Phineas Wharton Sr. about buying an old warehouse and rebuilding it as the Center. However, Wharton has plans to buy it himself for another project from which he would profit. But the Teen-Agers--Freddie, Dodie, Betty, Lee and Roy--now attending San Juan Junior College, think otherwise.

A talent scout and her colleague form their own company when their agency ignores their latest discovery.

This "Name Band Musical" short from Universal (production number 3302), filmed in November of 1947 and released on December 3, 1947 (which should make it a 1947 and not a 1948 film) features Gene Krupa, his drums and his trio. It opens with Krupa and the trio playing "Lover" and then Carolyn Grey comes on to sing "Boogie Blues." Krupa and the trio band also play "Blanchette", "Stompin' at the Savoy" and end on "Let Us Leap."

Nicky Nelson is a fast-talking sideshow barker with a wax-and-alive concession on Atlantic City's boardwalk. Even with the band of his friend, struggling musician Gene Krupa, playing on the sidewalk to attract the customers, "The Living Corpse" and other low-rent acts aren't enough to lure the seen-it-all boardwalk strollers, and the landlord closes the show in lieu of never-paid rent. Nicky, always promoting, goes to Stephen Hanratty, head of the pier's Dance Pavilion, to plug Krupa's band as an attraction, but Hanratty won't even listen to them. But, while there, he meets singer Lily Racquel, who knows he is a phoney but might have the ability to to talk a radio-station manager into giving her an audition. She gives him a ring to help finance the project; he promptly loses it in a crap-game.

After losing a coveted role in an upcoming film to another actress, screen queen Mona Marshall (Lola Lane) protests by refusing to appear at her current movie's premiere. Her agent discovers struggling actress Virginia Stanton (Rosemary Lane) -- an exact match for Mona -- and sends her to the premiere instead, with young musician Ronnie Bowers (Dick Powell). After various mishaps, including a case of mistaken identity, Ronnie and Virginia struggle to find success in Hollywood.

The employees of a failing radio station must put on a huge ratings winner to have any chance of continued operation.