Marcela Suppicich

A son who needs to tell his father about his sexual orientation. A father who hopes to see in his son the continued virility he preaches. "Hijo e' Tigre" (Son of the Tiger) is a colloquial expression used by a father when he finds his son a source of pride, discovering that he resembles him, and generally, in the face of an action that makes him resemble the typical "Argentine macho." The film critiques this machismo, still prevalent in our society today.

In the southern part of the City of Buenos Aires there is a neighborhood that many name but do not know: Villa Lugano. There, the urban coexists with the village, which still survives, in much more than an afternoon nap or some grandparent's story. 100 years after its foundation, Lugano continues to build its identity.

In the late 1970s, at the height of the Argentine civil-military dictatorship, a group of more than 60 Argentines who had been exiled in various European countries left their homes once again to move with their families to Mozambique, a recently independent former Portuguese colony mired in a terrible civil war. Their goal: to work as volunteers in the construction of the Socialist State promoted by the African leader Samora Machel against the interference of the then racist South African government.

A son who needs to tell his father about his sexual orientation. A father who hopes to see in his son the continued virility he preaches. "Hijo e' Tigre" (Son of the Tiger) is a colloquial expression used by a father when he finds his son a source of pride, discovering that he resembles him, and generally, in the face of an action that makes him resemble the typical "Argentine macho." The film critiques this machismo, still prevalent in our society today.

A son who needs to tell his father about his sexual orientation. A father who hopes to see in his son the continued virility he preaches. "Hijo e' Tigre" (Son of the Tiger) is a colloquial expression used by a father when he finds his son a source of pride, discovering that he resembles him, and generally, in the face of an action that makes him resemble the typical "Argentine macho." The film critiques this machismo, still prevalent in our society today.

In the southern part of the City of Buenos Aires there is a neighborhood that many name but do not know: Villa Lugano. There, the urban coexists with the village, which still survives, in much more than an afternoon nap or some grandparent's story. 100 years after its foundation, Lugano continues to build its identity.

In the southern part of the City of Buenos Aires there is a neighborhood that many name but do not know: Villa Lugano. There, the urban coexists with the village, which still survives, in much more than an afternoon nap or some grandparent's story. 100 years after its foundation, Lugano continues to build its identity.

In the southern part of the City of Buenos Aires there is a neighborhood that many name but do not know: Villa Lugano. There, the urban coexists with the village, which still survives, in much more than an afternoon nap or some grandparent's story. 100 years after its foundation, Lugano continues to build its identity.

In the late 1970s, at the height of the Argentine civil-military dictatorship, a group of more than 60 Argentines who had been exiled in various European countries left their homes once again to move with their families to Mozambique, a recently independent former Portuguese colony mired in a terrible civil war. Their goal: to work as volunteers in the construction of the Socialist State promoted by the African leader Samora Machel against the interference of the then racist South African government.

In the late 1970s, at the height of the Argentine civil-military dictatorship, a group of more than 60 Argentines who had been exiled in various European countries left their homes once again to move with their families to Mozambique, a recently independent former Portuguese colony mired in a terrible civil war. Their goal: to work as volunteers in the construction of the Socialist State promoted by the African leader Samora Machel against the interference of the then racist South African government.