Kinuyo Tanaka

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

When Tora-san returns to visit his family, he is surprised to find an arrogant professor occupying his room. The professor and Tora-san become rivals for the affection of Chiyo.

The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world when her grandmother dies.

In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Set in 1926 when Japanese tradition was much stronger, this drama looks at the inner workings of a small family, especially the relationship between a sister and brother.

A Tokyo family escaping the war relocates to a Hokkaido village; their daughter is set to marry the local leader's son, but her siblings disapprove.

A Hiromichi Horikawa movie

On the day of college graduation, Mieko (Sayuri Yoshinaga) stood on stage as the valedictorian for the Department of English. During her university years she made sure that she would always come out on top, and she did. With a victorious graduation behind her, she plans out the next chapter of her life: become a successful novelist and go out with a classmate she's been secretly eyeing for the past couple of years.

No synopsis available yet.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Fumiko, mother of two and wife to an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In her final stages, Fumiko meets a young journalist from Tokyo who wants to write a story on her experiences.

A few days in the life of a quiet geisha, single mother of a smart young boy, in the lively Tokyo quarter of Ginza. A woman devoted to others' needs, she'll end by taking part herself in one of the many disguises of Ginza.

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

In a remote village where food is scarce, elders who reach the age of 70 are carried by their children to the top of a nearby mountain to die in solitude. Orin, a vibrant 69-year-old grandmother, has accepted her fate — but struggles to prepare the rest of her family for the ritual.

Setsuko is in an unhappy marriage to Mimura, an unemployed, alcoholic engineer. She had always been in love with Hiroshi but both failed to propose when Hiroshi left for France a few years ago. But now he's back and Mariko tries to reunite them, although she too is secretly in love with Hiroshi.

No synopsis available yet.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Two men at an ironworks encounter roadblocks: the first does not have the grades to get a job, while the other finds himself falling for a co-worker.

Mokichi Asai is a widowed father living in Nara with three daughters—Chizuru, Ayako, and Setsuko. The youngest, Setsuko, plays matchmaker for her older sisters, leading to humorous and awkward romantic entanglements.

Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.

Five years after the end of the Second World War, Reikichi, a repatriated veteran, translates love letters for Japanese women to American GIs, while searching for his lost love, Michiko.

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

In a military family, an illegitimate son is brutalized by his brothers. A patriarchal, feudalistic household where dissent is forbidden is used to reveal the whole imperialist system that afflicted Japan between 1921 and 1946.

After living a traumatic experience in Tokyo, Yukiko returns to Kyoto, where Hatsuko, her mother, runs a brothel, which upsets Yukiko very much.

Ichiro’s family used to be a large landowner, but now he is living in poverty with his mother. His mother works hard to get her son through school. Under such circumstances, Ichiro meets Wakako, the daughter of a wealthy man, and they fall in love with each other, but they are opposed by those around them because of their different social status.

In post-war Japan, Michiko, a disillusioned young woman trapped in a loveless marriage, confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

A jewelry store president begins to fall for the doctor treating her husband's illness.

Yoshida Denkichi does loses sight of his wife Chiyoko and daughter Toyoko during the war, and is taken in by a familiar woman, Oshige, and becomes the owner of "Fujimura" in the town of Hato. Eiko is a timid woman who hates Terada, a watchmaker who is obsessed with her; Tamie is a hard worker who asks for money from customers to support her mother and daughter Teruko; Tane, who dreams of the day they can be together, gives money to her lover Takeda; Machiko, an apres girl, is selective about her customers in the name of romance. They are women working in the red light district at "Fujimura."

Ichiro Yoshida, the father of the boy Kiyoshi, who has been repatriated from China, returns home after a ten-year separation. The father, who has been estranged from his son for many years, pays no attention to the boy, often punishes him unfairly, and gives all his tenderness to his little daughter, who was born after his return. The boy sees all the injustice of his father and, offended, leaves home. The father realized that he was wrong, that he was guilty before his son. The mother finds the boy and brings him home. The father and the son become friends from that day on.

No synopsis available yet.

The story of five sisters.

Where Chimneys Are Seen focuses primarily on the interconnected lives of two couples in a lower-middle-class neighborhood in Senju, a poor industrial section of Tokyo.

The story of a novelist whose wife is confined in a mental hospital. His love for her drives him to write about her, though he runs into trouble when her parents accuse him of cashing in on her misfortune.

A widowed high-school teacher tries to raise his four children alone.

Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.

Though plagued by ill health all his life, a young Japanese man is obligated to fulfill his family's longstanding military tradition.

A Japanese mountain inn patron's foot is cut by an ornamental hairpin accidentally left behind by a former patron, leading to much curiosity among the other patrons regarding her identity.

In early post-war Osaka, three women—war widow Fusako, her Korean expat sister Natsuko, and Kumiko, Fusako's sister-in-law—descend into prostitution, all for their individual reasons.

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

Iemon Tamiya is an impoverished masterless samurai who craves a better life, which he cannot have because of his marriage to Oiwa, who is completely devoted to her husband.

In postwar Japan a young woman is unable to marry her sweetheart because her family's in difficult circumstances and needs her income to keep afloat.

Utamaro, a great artist, lives to create portraits of beautiful women, and the Tokyo brothels provide his models. A world of passion swirls around him, as the women vie for lovers, and, occasionally, his art gets him into trouble.

Young, timid bowmaster Kazuma seeks to beat the archery record set by Hoshino Kanzaemon, a mysterious figure who, it is rumoured, drove the previous champion—Kazuma’s father—to suicide. Possessed of much raw talent, Kazuma is very much a coward, holing up in an inn and generally avoiding confrontation. Despite his best attempts to remain clandestine, the locals know of Kazuma’s purpose and an attempt is made on his life. He's saved by Karatsu Kanbei, a samurai who offers to help Kazuma hone his archery skills, though it becomes clear that this apparently selfless stranger has potentially shady ulterior motives.

Part 2 starts where the first film ended, with Iemon disposing of the bodies of his wife and Kohei, marrying upward, and being blackmailed by the evil Naosuke.

A gangster tries to find redemption with the inadvertent help of an innocent shop girl and his jealous girlfriend will do anything to keep him.

After the plans of a group of college students to cheat on their final exams goes awry, they're left to reassess their lives and educations and get back on track.

Ryoichi and Chikako, brother and sister, live together. Chikako toils during the day and, at night, prostitutes herself to fund his college tuition.

A playwright moves to a rural neighborhood to avoid the distractions of the city, but he discovers there are plenty of ways to get sidetracked in his new home, too.

Eiko is an innocent young lady born into a wealthy family with nothing to offer. She was good at singing, and lived her life playing around with her cronies, organizing music concerts and so on. However, things change when her father's business fails and she was suddenly thrown out into the world without any foundation. Eiko has no one to support her after she loses her social status, and her only tutor, Shinnosuke (Natsukawa Daijiro) was the only one who was sincere. Eiko is a stickler for using everything she can get her hands on, and she quickly moves into Shinnosuke's house.

A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted.

Japanese silent film directed by Yasujirô Shimazu, originally released as a two-part movie on December 11, 1931.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

Tetsuo Nomoto, a young college graduate tries to find a decent job by himself. Later on, he will marry his girlfriend, Machiko, whom he hides the fact that he has no job. Hardships come quickly, which forces Machiko to find a job in a bar.

Japanese silent film from 1928, ranked as Kinema Junpo's second-best Japanese movie of the year.