Jerzy Święch

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

Katowice, the night of December 12-13, 1981. Military units occupy strategic points in the city. A group of Zomovniks, smashing union security, drags the chairman of the Company Commission of the NSZZ Solidarity in the Wujek mine out of his apartment. The news quickly spreads to the miners. Initially surprised, they soon react with spontaneous protest. On December 14, a strike breaks out at the plant. The miners demand the lifting of martial law and the release of the chairman. When negotiations fail, the army, ZOMO and militia storm the mine.

In a bucolic Polish hamlet, the tense relationship between a father and son reaches a boiling point when the men lose their hearts to the same woman and vie for her affections. Based on Wladyslaw Reymont's Nobel Prize-winning book and helmed by Jan Rybkowski, this theatrical release (starring Krzystof Chamiec, Wladyslaw Hancza and Emilia Krakowska) was culled from a 13-episode miniseries that aired on Polish television in 1972.

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

The film, which is a reconstruction of the life and work of Stanisław Ignacy Witkiewicz, known under the pseudonym Witkacy, was produced especially on the occasion of the artist's 100th birthday. Witkacy is one of the outstanding European artists of the early twentieth century. Author of many short stories and plays translated into eighteen languages. Author of his own philosophical system, art theorist, painter of Formist paintings and portraits, a man who left behind a legend of a unique personality.