Bernard Dhéran

La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

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To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

Nara, a 30-year-old gypsy, lives with her nine-year-old daughter Zorka and her grandmother in a public housing project in the Paris region.

Shame, the ape man of the jungle, is aghast when his woman, June, is kidnapped by a gang of giant penises. They take her to their queen, Bazunga, a bald woman with fourteen breasts. After tangling with a gang of great white hunters, a marauding lion and the Molar Men, Shame sets off to rescue her with only his faithful friend Flicka at his side. He heads for that darkest of areas

Armand, a boastful womaniser, makes a bet that he can seduce any girl he wants. He soon crosses paths with a beautiful Parisian divorcee, who is nothing like anyone he has ever met before.

Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.

When Camille falls ill, she is forced to live with Philibert and Franck.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.

At fifty, René Maugras has lost everything. This wealthy press boss fell into a coma and was rushed to hospital. He has since emerged from his worrying state of health but remains unable to move and communicate. He must also begin rehabilitation, which turns out to be particularly humiliating. Fortunately for him there is Blanche, his nurse, who surrounds him with affection. Blanche takes her case to heart.

A little suburban troublemaker, Loulou Graffiti tries to bring together a man and a woman who aren't cut out for each other at all. She discovers, he steals.

Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?

The second part of the Seventh Company adventures.

Two men pull off a daring daylight payroll heist in Milan, making a fast getaway. One is returning to France after years in hiding, needing money to start fresh with his family.

A young girl is plucked from small-town obscurity and thrust into the spotlight of the glamorous world of super-models.

The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

Alain, "a young wolf", elegant and racy, is maintained by the princess Linzani. At the same time, he goes out with a girl of his age, Sylvie, who despite her bold attitude has never had a lover.

A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.

Edouard and Félix work in a real estate agency. One day, they are threatened with dismissal if they don't manage to sell a very isolated house to an elderly, silver and somewhat unusual Englishwoman. In the house, they discover a corpse. The visit is spent dragging the corpse from room to room, cupboard to chest, so as not to frighten the otherwise impressed buyer. But the corpse disappears. He has to be found before the deed can be signed. The two salesmen become detectives, tracking down the dead man's many female acquaintances. All the seducer's conquests are sifted through, to find the one who left her jewels at the scene of the crime.

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Alceste hates all of humanity, denounces its hypocrisy, cowardice and compromise. But he nevertheless loves Célimène, flirtatious and slanderous. The virtuous thus launches into battles lost in advance which force him to flee.

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