Keja Ho Kramer

BEAUTIFUL MONSTERS forms a complement this film by crafting an intimate portrait of Erika Kramer: time together in the lush, overgrown garden of the stone house on the Seine, casual conversations between games of Scrabble, tarot card readings, acoustic resonances and drawings. An expansive cosmos unfolds between daughter and mother: from memories of Keja Ho’s birth in 1974 to a playful initiation into the irrefutability of death. (Volker Pantenburg)

The film concerns a group of disparate types who support themselves by running guns to the Arabs. On the surface, it would seem that these characters are bad guys. In fact, the guns are to be used by a resistance group who hope to continue shipping oil to the West, despite the despotic curbs imposed upon fuel shipments by their leaders.

In her previous video, Molecular Black, we saw a choreography by Gourfink and Toeplitz as the basis for an investigation into the colour of digital black. In Mechanical Nights, the fairytale The Little Mermaid by Hans Christian Andersen is used as a basis to move from resemblance to abstraction in the pixel concept.

BEAUTIFUL MONSTERS forms a complement this film by crafting an intimate portrait of Erika Kramer: time together in the lush, overgrown garden of the stone house on the Seine, casual conversations between games of Scrabble, tarot card readings, acoustic resonances and drawings. An expansive cosmos unfolds between daughter and mother: from memories of Keja Ho’s birth in 1974 to a playful initiation into the irrefutability of death. (Volker Pantenburg)

 Seeing through the camera's lens when form disappears for the fleeting moment when something that was not there reveals itself. Color is visual sound. Composing for the eyes a dimension of color's subtle vibration. The subtle appearance of its' invisible frequency.

A short film made by Keja Kramer in 2008. Duration: 29 minutes.

Seeking in the archives of Robert Kramer, a detective, Keja Ho is looking for her deceased father. His ghostly presence haunts her search and motivates the singular dialogue between her family memories and friends.

The story by JG Ballard « The Concentration City* », written in 1967 is the story of a boy living in an over populated densely built city where the architecture influences the inhabitants way of being. He is looking for “free space” to build a machine that will allow him to soar and fly, bird wings and open space, things which disappeared in the evolution of the urban sprawl. This story offered a way of getting into the city and imagining San Paulo. The main character is scouting the territory for openings in the vista of buildings, looking : as does the camera-eyes in the silent video The sky is my ceiling.

In his adulterous relationship with a young woman, a mature writer confuses romantic passion with inspiration whilst engaged in the writing of a long-awaited novel. The two try to cultivate the space of their love while preserving their respective partners. The conflict between passion and inspiration inevitably invades the livelihoods of the love quartet.