Tito Montero

Nine Asturian filmmakers reflect aloud, alone in a hotel room, on the existence, the main characteristics, and the current situation of the cinema made in Asturias.

No synopsis available yet.

No synopsis available yet.

During his first trip to the United States, Tito Montero follows the footsteps of the writer Eduardo Galeano through the streets of Chicago in search of Haymarket, the place that symbolizes the global struggle of workers for their labor rights. The words of the filmmaker and the work history of his family are intertwined with those of the Uruguayan writer and those of other literary references to compose a personal and collective journey through space and time.

After more than a decade working in England, the filmmaker Elisa Cepedal returns to Cuencas to shoot a film about the end of the two centuries of history of coal mining: around her other remains of her land's past are dying.

After more than a decade working in England, the filmmaker Elisa Cepedal returns to Cuencas to shoot a film about the end of the two centuries of history of coal mining: around her other remains of her land's past are dying.

On March 12, 2019, the "Portrait of Ferdinand VII of Spain" painting, painted by Goya in 1814, arrives from Santander to the Museum of Fine Arts of Asturias to remain in the same room for several months in front of another painting of his, "Portrait of Jovellanos, with the San Lorenzo arenal in the background" (1780-83).

On March 12, 2019, the "Portrait of Ferdinand VII of Spain" painting, painted by Goya in 1814, arrives from Santander to the Museum of Fine Arts of Asturias to remain in the same room for several months in front of another painting of his, "Portrait of Jovellanos, with the San Lorenzo arenal in the background" (1780-83).