Albert Tholen

In a near-future Japanese city bracing for a devastating earthquake, a group of teenage friends navigate personal struggles and fractured bonds amid rising tension.

After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood.

As President Trump’s decision to drastically shrink Grand Staircase-Escalante National Monument is held up in courts, three people with deep ties to the monument — a Paiute grandfather who helped determine its original boundaries, a Mormon rancher whose livelihood is entwined with the land and a former backcountry ranger who found solace in its vast folds — contemplate what’s at stake.

In Ishinomaki, Miyagi, a mother and child wander around the city looking for each other.

Three Ethiopian sisters are living with an HIV diagnosis.

"Ars longa, vita brevis" – art is long, life is short. This is one of Japanese music icon Ryuichi Sakamoto's favorite quotes, and the message that he leaves for viewers at the end of his final concert film, shot before he succumbed to cancer in March 2023. Consisting of only Sakamoto and his piano, Opus features the final live performances of 20 songs that Sakamoto meticulously curated to encapsulate his distinguished 40-year career.

In a near-future Japanese city bracing for a devastating earthquake, a group of teenage friends navigate personal struggles and fractured bonds amid rising tension.

After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood.

As President Trump’s decision to drastically shrink Grand Staircase-Escalante National Monument is held up in courts, three people with deep ties to the monument — a Paiute grandfather who helped determine its original boundaries, a Mormon rancher whose livelihood is entwined with the land and a former backcountry ranger who found solace in its vast folds — contemplate what’s at stake.

In Ishinomaki, Miyagi, a mother and child wander around the city looking for each other.

Three Ethiopian sisters are living with an HIV diagnosis.

"Ars longa, vita brevis" – art is long, life is short. This is one of Japanese music icon Ryuichi Sakamoto's favorite quotes, and the message that he leaves for viewers at the end of his final concert film, shot before he succumbed to cancer in March 2023. Consisting of only Sakamoto and his piano, Opus features the final live performances of 20 songs that Sakamoto meticulously curated to encapsulate his distinguished 40-year career.

A young woman walking home alone encounters three different types of men. Whom can she trust?

Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.

After accidentally inflaming her failing relationship, a performance artist searches for comfort and intimacy in unexpected places.

On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.

In 1930s Europe, Ulrike and her faithful dog, Müzzi are climbing The Inconceivable Mountain. Ulrike meets a handsome soldier and discovers that all is not as it seems. Müzzi, for her part, descends into paranoia.