Benoît Lamy

Documentary on Belgian director of greek descent Jean Daskalidès.

Feature film.

Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

Jules, a rebellious septuagenarian, foments a revolt in his home ruled by quasi-military rules. He and his twenty supporters will oppose the management, the firefighters and even the gendarmes.

A woman who only has a couple of months left to live decides to go on a final journey, crossing several countries.

During the height of the tourist season, the rivalry between the manager of a slightly fancy restaurant and the proprietor of a nearby fast-food stand becomes quite heated, and shots are fired. In this comedy, the restaurant is run with an iron hand by its "patronne," and the help eventually have had enough. If that weren't sufficient trouble, the children of the owners of both establishments are romantically entangled, further infuriating the passions of the feuding food fanatics.

During the height of the tourist season, the rivalry between the manager of a slightly fancy restaurant and the proprietor of a nearby fast-food stand becomes quite heated, and shots are fired. In this comedy, the restaurant is run with an iron hand by its "patronne," and the help eventually have had enough. If that weren't sufficient trouble, the children of the owners of both establishments are romantically entangled, further infuriating the passions of the feuding food fanatics.

A young man with dreams of pursuing a career in music moves form his small village to the capital. Along the way he falls head over heels for a woman - the same woman his boss is also pursuing for his own reasons.

A young man with dreams of pursuing a career in music moves form his small village to the capital. Along the way he falls head over heels for a woman - the same woman his boss is also pursuing for his own reasons.

Ouagadougou – Portraits of Gods (1992) explores contemporary Burkina Faso through the intertwined journeys of two Burkinabè men and a Belgian painter. As Christianity, Islam, and ancestral beliefs coexist in everyday life, the film reveals how the sacred is woven into ordinary existence. Blending intimate observation with visual portraiture, Benoît Lamy offers a poetic reflection on identity, spirituality, and the invisible forces that shape human lives.

Ouagadougou – Portraits of Gods (1992) explores contemporary Burkina Faso through the intertwined journeys of two Burkinabè men and a Belgian painter. As Christianity, Islam, and ancestral beliefs coexist in everyday life, the film reveals how the sacred is woven into ordinary existence. Blending intimate observation with visual portraiture, Benoît Lamy offers a poetic reflection on identity, spirituality, and the invisible forces that shape human lives.

Ouagadougou – Portraits of Gods (1992) explores contemporary Burkina Faso through the intertwined journeys of two Burkinabè men and a Belgian painter. As Christianity, Islam, and ancestral beliefs coexist in everyday life, the film reveals how the sacred is woven into ordinary existence. Blending intimate observation with visual portraiture, Benoît Lamy offers a poetic reflection on identity, spirituality, and the invisible forces that shape human lives.

Once upon a time a carnivorous advertising methodist (Richard Bohringer) finds himself stuck between floors in an old elevator. The owner of the deserted building (Ute Lemper) does not help, but plays with him like a prey trapped. To get out, he threatens, attempts to seduce, to deceive, to be honest. After this confrontation for several days...

Once upon a time a carnivorous advertising methodist (Richard Bohringer) finds himself stuck between floors in an old elevator. The owner of the deserted building (Ute Lemper) does not help, but plays with him like a prey trapped. To get out, he threatens, attempts to seduce, to deceive, to be honest. After this confrontation for several days...

Benoît Lamy short film

No synopsis available yet.