Riccardo Brun

Estranged by the degree of corporate influence within the largest U.S. listening station in the world, an aging NSA officer defects and mounts a clandestine counter-listening station high in the Italian alps.

There’s a Naples of the imagination and there’s the real city: the city of fiction and the one with its tales of a past very much alive. Massimilano Gallo’s directorial debut, La salita, is a film about a little-known anecdote from the life of Eduardo De Filippo, featuring a Nisida very different from the image it has in the series Mare fuori, yet Gallo’s take on prison and women behind bars is just as contemporary. Courtesy of Panamafilm and the Film Commission Regione Campania.

In a Rome divided between the city center and the suburbs, rich and poor, famous and not, Alex, Gaia, and Marco are three friends in their early twenties who dream of escaping the future society has written for them. Street life, working at the market, poverty, small-time drug dealing, suburban tenements, and the dream of hip-hop are Alex's life until his dream comes true and he finds himself catapulted into the world of rap, playing his part and proving his worth. Managing his own destiny, however, isn't easy, and Alex makes many mistakes, leaving him alone, without a point of reference, and with fleeting success. He must then confront his demons, the harshness of the world, and his own confusion, to learn to love his anger and understand what he truly desires.

Over the past year, seven Neapolitan writers known as ‘I Nisidiani’ (Viola Ardone, Riccardo Brun, Maurizio de Giovanni, Daniela De Crescenzo, Antonio Menna, Valeria Parrella and Patrizia Rinaldi) have written a novel as part of a prison-based writing workshop which, amongst other things, changes both the authors and the young prisoners forever.

A Donatello award nominated short drama about some wartime children who are allowed to live in a derelict old factory so long as they loot other bombed-out buildings for the soldiers.

Estranged by the degree of corporate influence within the largest U.S. listening station in the world, an aging NSA officer defects and mounts a clandestine counter-listening station high in the Italian alps.

There’s a Naples of the imagination and there’s the real city: the city of fiction and the one with its tales of a past very much alive. Massimilano Gallo’s directorial debut, La salita, is a film about a little-known anecdote from the life of Eduardo De Filippo, featuring a Nisida very different from the image it has in the series Mare fuori, yet Gallo’s take on prison and women behind bars is just as contemporary. Courtesy of Panamafilm and the Film Commission Regione Campania.

There’s a Naples of the imagination and there’s the real city: the city of fiction and the one with its tales of a past very much alive. Massimilano Gallo’s directorial debut, La salita, is a film about a little-known anecdote from the life of Eduardo De Filippo, featuring a Nisida very different from the image it has in the series Mare fuori, yet Gallo’s take on prison and women behind bars is just as contemporary. Courtesy of Panamafilm and the Film Commission Regione Campania.

In a Rome divided between the city center and the suburbs, rich and poor, famous and not, Alex, Gaia, and Marco are three friends in their early twenties who dream of escaping the future society has written for them. Street life, working at the market, poverty, small-time drug dealing, suburban tenements, and the dream of hip-hop are Alex's life until his dream comes true and he finds himself catapulted into the world of rap, playing his part and proving his worth. Managing his own destiny, however, isn't easy, and Alex makes many mistakes, leaving him alone, without a point of reference, and with fleeting success. He must then confront his demons, the harshness of the world, and his own confusion, to learn to love his anger and understand what he truly desires.

In a Rome divided between the city center and the suburbs, rich and poor, famous and not, Alex, Gaia, and Marco are three friends in their early twenties who dream of escaping the future society has written for them. Street life, working at the market, poverty, small-time drug dealing, suburban tenements, and the dream of hip-hop are Alex's life until his dream comes true and he finds himself catapulted into the world of rap, playing his part and proving his worth. Managing his own destiny, however, isn't easy, and Alex makes many mistakes, leaving him alone, without a point of reference, and with fleeting success. He must then confront his demons, the harshness of the world, and his own confusion, to learn to love his anger and understand what he truly desires.

Over the past year, seven Neapolitan writers known as ‘I Nisidiani’ (Viola Ardone, Riccardo Brun, Maurizio de Giovanni, Daniela De Crescenzo, Antonio Menna, Valeria Parrella and Patrizia Rinaldi) have written a novel as part of a prison-based writing workshop which, amongst other things, changes both the authors and the young prisoners forever.

A Donatello award nominated short drama about some wartime children who are allowed to live in a derelict old factory so long as they loot other bombed-out buildings for the soldiers.