Philipp Schimanko

Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. The new Austrian Republic thrives on social and artistic freedom, but anti-democratic movements and unemployment loom overhead. A stranger in his hometown, his life takes a turn for the worse when one of his former comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg decides to bring the killer to justice. He finds an ally in the cool-headed forensic doctor Theresa Körner, with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they confront a brutal and systematic killer and intrigues from within the police force. But when the killer’s net closes around Perg himself, he faces the moral dilemma of his life.

Walter is a somewhat church-weary, washed-up exorcist who prefers to spend his free time sipping beer. His tranquil life changes when he suspects he's encountered a vampire. Disorganized, he attempts to track him down and confront him—who else would do it? The centuries-old, sinister Blood Prince, on the other hand, pompous and self-absorbed, is enthusiastic about the new world he's encountered and helpless in the face of its technological and social advancements. Times of open hostility are interspersed with moments of rapprochement, but it soon becomes clear: Vienna isn't big enough for both. A vampire film that juggles the genre's trappings with a wink, charmingly sidestepping all conventions as an entertaining comedy. Sometimes by force.