Nehad Qalei

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.

The series discusses a variety of social issues within a framework of separate episodes, and through a series of comedic events that simulate society, such as hypocrisy, science, and other issues

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

This vehicle for Syrian comedian Duraid Lahham offers the most risqué mad scientist subplot to be found in any of these Lebanese films, thanks to his character visiting the inventor of the Sexatron, a machine whose precise practical purpose remains sketchy, although the method for causing it to blow up is outlined clearly enough in the screencaps below. This sequence evidently tested the censor's limits and contains three splices in the Lebanese version of the movie; it may well have escaped uncut in the Turkish edit of the film.

A show centred entirely around Duraid Lahham's iconic character Ghawar Tawasha. An iconic Syrian comedy series where Ghawar gets up to his classic mischief and pranks, leaning into the slapstick, street-smart humour that made the character so beloved across the Arab world.

The events of the play deal with the reality of the Arab world in the seventies, where the events of the play revolve around a village called Ghorba ruled by Bey who enslaves citizens and robs them of their wealth and leaves them to suffer backwardness, to escalate events

“Salt and Sugar” is the first Syrian work shown on Syrian television in 1973 during the month of Ramadan, and its events take place inside the prison when the social worker (Sabah Al-Jazairi) visits the prison to search for the cause of the prisoners’ delinquency, and (Dhiab Mashhour) sings the song “Alamaya,” and remembers Ghawar Al-Tosha (Duraid Lahham) is his mother and longs for life outside the bars. He sings his famous songs “Lou Lou Lou” and “Oh my beloved woman, ya mo.” The artist Dhiyab Mashhour also sings “Ya Abourdin.” The artist Taroub also presented two songs, “Tik Tok,” as part of a competition organized by Hosni. Al-Borzan (Nihad Qalai) inside the prison, through a Syrian comedy act starring Duraid Lahham and Nihad Qalai, in collaboration with Yassin Bakoush, Naji Jabr, Najah Hafeez, Abdul Latif Fathi Sabah Al-Jazairi and others, and the work is directed by Khaldoun Al-Maleh.

The series discusses a variety of social issues within a framework of separate episodes, and through a series of comedic events that simulate society, such as hypocrisy, science, and other issues

Few Arab comedy series have left a mark quite like Sah El Nom. Written by the brilliant Nihad Qalei, who stars alongside the irreplaceable Duraid Lahham, the show gave the Arab world two of its most iconic characters — the lovable, street-smart Ghawar Tawasha and the memorable Houssni Al Bourzan. Warm, witty, and deeply rooted in Damascene folklore, it's the kind of show that never really gets old.

A show centred entirely around Duraid Lahham's iconic character Ghawar Tawasha. An iconic Syrian comedy series where Ghawar gets up to his classic mischief and pranks, leaning into the slapstick, street-smart humour that made the character so beloved across the Arab world.

A Syrian comedy drama series that revolves around (Fatoum), the owner of the (Sah Al-Nom) Hotel, where most of the events of the series take place. Both (Ghawar Al-Tosha) and (Hosni Al-Borzan) fall in love with (Fatoum), and pranks and adventures occur between them in order to win With her heart.

Set in a Damascene bath for men, it deals with the daily situations faced by the owners , and the customers with their personalities and different styles, in the context of comic situations. An adaptation of "The Twelve Chairs" by Ilf and Petrov.

Saber Effendi works as a tailor for men, but his major problem is that he suffers from a great depression because of his lack of fashion and refuses to develop his ideas about fashion until his wife, Huda, who works in a Syrian magazine interested in fashion, suggests that he change his activity to become a tailor for women rather than men. Implementation plan.

Due to the great success of the original TV series from 1972, this movie was created with almost identical actors and a slightly different plot. Two friends find themselves in an unexpected conflict when one of them, an employee working in a small hotel, falls for the hotel owner, but she is in love with his friend, a painter who has been staying in the same hotel for a long time, which creates jealousy and conflict between the two friends.

Salim is a simple farmer who loves Bedour and wants to marry her. He comes across a letter that he thinks is written to his lover, but it turns out that it's written by Bedour whom Ghawar loves and he returns from overseas with a pearl necklace for her.

A strict father refuses to let his beautiful daughter marry the young pilot she loves, believing that the life of a pilot is filled with danger. The pilot sees a dead end, but that does not prevent him from using his cunning to persuade his beloved's father of their marriage.

A Lebanese company sends a representative to the Cairo branch to discover the secret of the branch's losses. This representative disguises himself as a newly transferred messenger. He notices that a love story is developing between the daughter of the failed manager and the public relations employee, and he tries to reveal to the girl what is happening.