Tim Macmillan

Time-slice reconstructions of three reported incidents in which people and supposedly friendly animals meet badly: a postman kills a dog, a dog attacks a child, a horse kills a cyclist. An animate! commission for Channel 4 and the Arts Council of England.

A momentary lapse of motion as Macmillan cuts a cross-section through the city’s day. Mobile photography or freeze film? Small epiphanies and the human trace, whatever the terms.

The Time-Slice camera was first devised in 1980 by Tim Macmillan at Bath Academy of Art during his BA. Fine Arts degree course. Originally a painter, Macmillan was interested in combining Cubist theory with contemporary technology. Initially using hand-made photographic emulsions and photo grams, he went on to create a series of cameras creating multiple viewpoints of a space which were then collaged together. The multiple camera concept then made a lateral leap to being applied to cine film. The first camera involved a length of 16mm film negative, clear Perspex spacers providing a focal length and a strip of opaque 16mm cine magnetic tape with a pinhole drilled into each frame. A simple shutter over the magnetic tape then provided the means of exposure. The result was a tracking shot through a space. The profound revelation was that while the viewer experienced a move through space, time was frozen. A paradox!

Time-slice reconstructions of three reported incidents in which people and supposedly friendly animals meet badly: a postman kills a dog, a dog attacks a child, a horse kills a cyclist. An animate! commission for Channel 4 and the Arts Council of England.

A momentary lapse of motion as Macmillan cuts a cross-section through the city’s day. Mobile photography or freeze film? Small epiphanies and the human trace, whatever the terms.

A momentary lapse of motion as Macmillan cuts a cross-section through the city’s day. Mobile photography or freeze film? Small epiphanies and the human trace, whatever the terms.

The Time-Slice camera was first devised in 1980 by Tim Macmillan at Bath Academy of Art during his BA. Fine Arts degree course. Originally a painter, Macmillan was interested in combining Cubist theory with contemporary technology. Initially using hand-made photographic emulsions and photo grams, he went on to create a series of cameras creating multiple viewpoints of a space which were then collaged together. The multiple camera concept then made a lateral leap to being applied to cine film. The first camera involved a length of 16mm film negative, clear Perspex spacers providing a focal length and a strip of opaque 16mm cine magnetic tape with a pinhole drilled into each frame. A simple shutter over the magnetic tape then provided the means of exposure. The result was a tracking shot through a space. The profound revelation was that while the viewer experienced a move through space, time was frozen. A paradox!