Gustavo Pera

Editing

Gustavo Pera

Born

1988-05-18 (38)

Place of birth

São Paulo, São Paulo, Brazil

Known for

Editing

Credits

6 titles

Gustavo Pera is born and resident of São Paulo, Brazil. As an editor, he signed the feature films "TORO" and "Insubordinados", the documentary "Mazzaropi" and the series "Bipolar". Recently he directed his first short film: the documentary "Carroça21" (2018), selected for 31º Cinélatino Rencontres de Toulouse in France.

Known for

Film credits

Behind the camera

GAP poster
NR

A resident of a ghetto’s neighborhood of São Paulo amid the Covid-19 pandemic, Gustavo has severe anxiety attacks. When he receives a call from a friend who lives in the same street, he reflects different stories of neighborhood residents in parallel with his family's daily life during social isolation.

GAP

2020

GAP poster
NR

A resident of a ghetto’s neighborhood of São Paulo amid the Covid-19 pandemic, Gustavo has severe anxiety attacks. When he receives a call from a friend who lives in the same street, he reflects different stories of neighborhood residents in parallel with his family's daily life during social isolation.

GAP

2020

GAP poster
NR

A resident of a ghetto’s neighborhood of São Paulo amid the Covid-19 pandemic, Gustavo has severe anxiety attacks. When he receives a call from a friend who lives in the same street, he reflects different stories of neighborhood residents in parallel with his family's daily life during social isolation.

GAP

2020

Wagon21 poster
10.0

Maura is a black woman, mother of 7 children and recyclable material collector in one of the largest cities in Latin America. While she works hard to maintain herself, she has to deal with prejudice, invisibility and the ignorance of those who do not recognize the value and important role of the recyclable material collector bring to the city, as an environmental agent.

Wagon21

2018

Wagon21 poster
10.0

Maura is a black woman, mother of 7 children and recyclable material collector in one of the largest cities in Latin America. While she works hard to maintain herself, she has to deal with prejudice, invisibility and the ignorance of those who do not recognize the value and important role of the recyclable material collector bring to the city, as an environmental agent.

Wagon21

2018