Dorothea Moritz

Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...

A year on an Alpine farm: an older couple have two children, Belli, who wanted to be a teacher, and the younger Franzi, deaf, and although he works like a man, child-like. Belli teaches him. In his work, he can become frustrated, so when he throws an expensive mower over a cliff in a fit of pique, his father banishes him to the outskirts of the farm, where he uses pubescent energy to break rocks and build walls and cairns. (It's the tradition of the father's family, called "The Irascibles" by neighbors, to spend puberty doing this.) Belli visits him and they begin sleeping together. By winter, the boy is back in the house and Belli is pregnant. Soon her parents must know.

Julchen is the "feminine" (transvestite) and definitely motherly half of a couple of homosexual men, the "co-fathers" of a pleasant part-Moroccan girl. The girl has been told that her mother is dead, but Julchen knows this is not true.

Inspired by true events, Olympic swimmer Harry Melchior defects from East Germany in the 1960s and hatches a daring plot to help his sister and others flee East Berlin through a 145-yard underground tunnel.

In Berlin in 1961, an American soldier and a German engineer join forces to build a tunnel under the Berlin Wall in order to smuggle out refugees, including the soldier's East German girlfriend.

In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.

In May of 1983, a man turns 49 and, with his 17-year old son, journeys to the village in Baden that he left 40 years before. He wants to discover what happened then, the truth about an affair his mother had with a young Polish prisoner of war, how the authorities came to learn of it, the lovers' arrest, and the aftermath. While his son takes Polaroid photographs, he retraces the steps of his childhood and interviews those who should remember. The story is disclosed in flashbacks that focus on the lovers (Paulina and Stanislaus), on a jealous and conniving neighbor, and on Mayer, the local SS commander who wants to find a way out of inevitable consequences.

The two brothers Alfred and Hans are very different, one, a mummy's boy, still hopes for the great love at 35, the other enjoys life as a womanizer. When their mother dies, their lives change. Mama's boy Alfred and Don Juan Hans fall in love with the same woman. Their beloved is called Angelika who is in her mid-30s, works in a travel agency and considers herself emancipated. She has not married the father of her now 18-year-old daughter. All parties involved change as a result of the courtship of Angelika. The sad Alfred becomes a radiant lover, the womanizer starts thinking and Angelika herself feels younger and younger.

Rüdiger Stein starts filming Klaus and Manuela, young expectant parents, for a documentary on the topic "Starting a Family." As the project threatens to fall apart, Rüdiger becomes personally involved in this family-to-be, an experience which enables him to open his eyes to his life and work.

Berlin. Greta, 40, architect, mother of a 12-year-old son, recently unemployed. She does everything in her power to keep hanging on in there, torn between the pressure to conform and the spirit of contradiction.

Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

Depicts Carl Andersens uncommon art and life. Born in Vienna, the capital of Austria in 1958, he participated in the development of Viennas subculture through his bar called "Fun Factory". It was a unique place to have some cheap drinks, see strange movies and join concerts in the cellar. He also influenced the Viennese film community by bringing art house and underground movies, like "Liquid Sky" (1982), or "The Texas Chainsaw Massacre" (1973) in uncut versions to the theaters. As he was a film maniac he started to direct movies by himself. His first two movies "I was a Teenage Zabbadoing" (1988) and "Mondo Weirdo - a Trip to Paranoia Paradise"(1990) became underground classics. In the late 80's Andersen went to Berlin. There he directed and produced more than 10 No-Budget movies. Diffic ult relationships and the process of filmmaking itself were his main themes. He got lost in alcoholism and committed suicide in August 2012.

A simple story of young people in the West Berlin of 1982.

Based on Annette Kolb’s autobiographical novel of the same name, THE SWING is a lavish, breathless reconstruction of life in Munich towards the end of the 19th century. The deceptively simple story centers around the Lautenschlags, a Bavarian-French Catholic family overflowing with artistry but short on practicalities like financial acumen.

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A West German man, mistaken by the police for a left wing terrorist, hides in Vienna with a prostitute and her incestuous teen daughter. They become both a threesome and a happy surrogate family, but nothing lasts forever.

Persuaded by Lysistrata, the women of Athens agree to withdraw all sexual favours from the men until the men agree to end to war with Sparta.

Anyone who is keen to capture Berlin’s most original characters on film is bound to end up at Sylvia Heidemann’s door. Sylvia has saved up every penny of her reparation money to appear just once in her life on the silver screen like Greta Garbo. It just so happens that the Viennese filmmaker Andersch and Madame Heidemann are staying at the same hotel and it’s not long before the two strike a bargain.

The actor Holger Miesbach can no longer pursue this or any other profession, for psychological reasons and despite ongoing psychiatric treatment. While his mother offers telephone sex, where she pretends to be a minor and always forgets to get paid, he devotes himself to painting, but above all to his childhood passion for collecting autographs. When the actress Gloria Mundi, who had celebrated success as a teenager with revealing scenes, but who had killed her mother and her lover in Hollywood in 1961, returns to Berlin, Holger's penchant for the washed-up star becomes obsessive.

The world was turned upside down on November 9, 1989. Not only does the Berlin Wall fall, but the German-German border in the Werra Valley is also rolled down...

Criminal police and antitrust officials arrive at the headquarters of a plastics raw materials factory. They pored over files, seized materials, and discovered price lists, which were, of course, encrypted. Their suspicions of illegal price-fixing with apparent competitors, driven purely by greed, grew stronger and were ultimately confirmed, but they were unable to prove them. Bernd Schiedel, the company's sales manager and caught in the conflict between loyalty to his employer and the company, had initiated the operation himself by providing information.

Herbert (Heinz Lieven) is a solid, middle-class engineer who one day quits his job and ensconces himself at home (preferably in the bathroom), refusing to say very much to anyone. His wife (Dorothea Moritz ) is all the more upset at his behavior because on Sunday mornings he goes out into the street and yells at the top of his lungs for everyone to "get up." Eventually, the hard-working wife who is also earning their support convinces Herbert to go to a clinic for treatment. But is it a clinic he needs? Or is Herbert rebelling against a society that is too ordered, too sterile, too buried in the monotony of routine?

Three ordinary, disillusioned citizens decide to rob an armored car.

Life on the border to the GDR is as dreary as the "Werra-Post". To increase circulation, Willi Busch, reporter and heir to the local paper, takes action: sometimes he demolishes telephone boxes, sometimes he fantasizes a child into a prophetess who talks to sheep. Only when he fakes a dead man's past as an informer does Willi's paper corpses suddenly become real...

An absorbing portrait of one of the most colorful and revered figures in world cinema, 'Paradjanov: A Requiem' offers an affectionate and insightful look at the tumultuous career of the late Sergei Paradjanov; artist, dissident, romantic and iconoclast.