Melina Pafundi

In 1896, 106 people were exhibited at the Berlin Colonial Exhibition. Based on ethnographic archives, the film reimagines the moment before a colonial photograph was taken and transforms that image into a song of resistance and rebellion.

In a world where technological progress is conceived as an arrow pointing forward, why do some people insist on continuing to work with equipment others refer to as obsolete? Analog Thinking answers that question by documenting the meticulous work of those who choose that path. The screen becomes filled with wonderful objects—optical toys, cameras, projectors, film stock cans, moviolas… And the testimonies from those creators invite us to discover a universe that has a lot to do with both craftsmanship and the collective experience—an instance of thinking with your hands that is only possible with curiosity and patience. And among the words, practices and artifacts, Analog Thinking also saves a place for the images that are born from all of that. And it reminds us that, even in this digital age, they still have a lot to teach us about waiting and making mistakes, surprise and beauty.

In the creation of myths, the origin is androgynous.

This film explores the handing over of objects from one hand to another. Each version of the film was developed differently. This one is the number 4. (Deborah S. Phillips)

In 1896, 106 people were exhibited at the Berlin Colonial Exhibition. Based on ethnographic archives, the film reimagines the moment before a colonial photograph was taken and transforms that image into a song of resistance and rebellion.

In 1896, 106 people were exhibited at the Berlin Colonial Exhibition. Based on ethnographic archives, the film reimagines the moment before a colonial photograph was taken and transforms that image into a song of resistance and rebellion.

In 1896, 106 people were exhibited at the Berlin Colonial Exhibition. Based on ethnographic archives, the film reimagines the moment before a colonial photograph was taken and transforms that image into a song of resistance and rebellion.

In the creation of myths, the origin is androgynous.

In the creation of myths, the origin is androgynous.

This film explores the handing over of objects from one hand to another. Each version of the film was developed differently. This one is the number 4. (Deborah S. Phillips)