Petr Reidinger

A well-known writer now aged 75 is aware of his increasing age and the risk that his literary style will grow worn. His everyday existence is enlivened by characters from his stories, who tend to enter reality in unexpected ways, at various stages of completeness and with all kinds of strange demands.

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Cimrman's play about Czech expedition to north pole.

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Three brothers leave their home to see the world. During their journey, young men as by miracle enter into famous fairy tales (Little Riding Hood, Sleeping Beauty, Twelve Months) and face traps, unexpected moments and even love in a story full of humor and songs.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Jára Cimrman in the whirlwind of the past forty years, as discovered, recorded, and brought to life by the theater.

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Two different productions of Václav Havel's Beggar's Opera reveal the political dynamics of Czechoslovakia before and after the velvet revolution.

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One day in life of simple dispatcher who meets remarkable people. They want to harvest plums.

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