Sofiko Chiaureli

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

This documentary is not a straightforward portrait of Armenian film director Sergei Paradjanov's life, but rather a fluid celebration of his talent and creativity. Focusing on the collages he produced during his years in prison, and featuring interviews with the director himself, Cazals' film demonstrates the scope of Paradjanov's artistic vision, lovingly commemorating this rebel of art cinema.

Arevik is a young woman taking care of the children of a widower who is in jail, due to her testimony.

A short documentary by Levon Grigoryan about the making of Parajanov's «Sayat-Nova», or «The Colour of Pomegranates».

Nothing is easy for Torik, a shy orphan adopted by his aunt and uncle: he struggles to fit into village life, learn a craft, or find a wife. When Torik does fall in love – with Anjel, a local prostitute – he must face down the disapproval of his narrow-minded community and assert his right to happiness.

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Made in wartime and edited in candlelight, Vartanov's rarely-seen masterpiece tells about his friendship with the genius Parajanov who was imprisoned by KGB "at the height of his fame ". Vartanov resurrects the riveting scenes from his banned 1969 film The Color of Armenian Land, where Paradjanov concocts the chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - then reveals the shocking request Parajanov sent him in unpublished 1974 letters from Ukrainian prisons. Vartanov's camera documents Parajanov's staggering last day at work in 1990 during the making of the unfinished Confession - which survives in The Last Spring - as Parajanov comments on this cherished autobiographical film. The foremost achievement of The Last Spring, emphasized by critics, is Vartanov's exquisite wordless montage that "evoked the very soul" of Parajanov and earned the praise of many of cinema's greatest masters, such as Martin Scorsese and Francis Ford Coppola.

An interview with actor Sofiko Chiaureli, who starred in several Parajanov films

In the first part, the students complain that classic works of literature have no bearing on modern life - and find themselves in a situation strangely resembling something they've read... It's Gogol's "Inspector General" - but set in a summer camp... In the second part, after reading Don Quixote, the ever-adventurous Vasechkin convinces more cautious Petrov that he has found a game that they could play for life. No sooner they go off than Vasechkin, on a bike, brandishing an umbrella, attacks a giant... That is, a windmill...

Marita arrives at a small village in Georgia to live with her aunt. She meets a poor young lad, Gedia, and falls in love with him. But her relatives are determined to marry the girl off to a local rich man…

Lena returns to her home in a remote, war-ravaged Armenian village to try and persuade her grandparents to leave with her for safety in Moscow.

Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights. Now presumed dead by those he loves, he performs for the poor and unfortunate on his journeys through the wilderness.

In his wordless debut film, Mikhail Vartanov presents the ancient and modern art of Armenia through the post-impressionist painter Martiros Saryan’s silent commentary of gestures. Biblical landscapes, the ruins of temples, frescos, cross-stones, contemporary sculptures of Tchakmakchian (Chakmakchyan), the first appearance on film of iconic modernist painter Minas and his paintings, as well as the world famous behind-the-scenes episodes of Sergei Parajanov’s landmark "The Color of Pomegranates (Sayat Nova)." The film had its first public screening at one of the world’s largest and prestigious cinematic events, the Busan International Film Festival, 43 years after it was made.

The construction of an irrigation channel in the Alazni Valley faces many obstacles . Common welfare requires compromises , and no one wants that . Vazha , the chief construction engineer , will be at the center of the contradictions .

In the densely populated slums live large but poor family of charming and talented signor Leonido Popogatto. Under the guise of an important person he enters the secular parties and steals drinks and food from the tables.

This musical is based on old Georgian vaudevilles and plays. The early 20th century. Old Tiflis is in confusion and turmoil. A mysterious fairy is helping the poor Pavle’s family: real wood is burning in his old, neglected fireplace, wherein a pot with meat would suddenly appear. The good fairy is impersonated by laundress Vardo who helps not only the poor Pavle, but other families in this quarter as well. Vardo is known to many people in the town, but no one ever suspected that she was capable of performing miracles. The film’s colorful folk melodies, merry songs and fiery dances leave no viewer indifferent. Starring in the leading role is the great Georgian actress Sofiko Chiaureli.

A simple Polish man, Władek Lekowski, a former pilot, finds himself in exile after World War II due to a ridiculous accident. Poor and without a job or shelter, he sleeps on the beach. There, he meets and falls in love with Zosia, another Polish emigrant. Determined to get Zosia out of the bar where she works, performing “a little acrobatics and a little undressing,” Władek embarks on a mysterious mission as part of an airplane crew. During the flight, it becomes clear that he has fallen into the hands of militarists and the plane is supposed to drop a bomb on the Soviet Union. Realising that the fate of World War III now rests in his hands, Władek is forced to confront his own actions and the consequences of his choices.

A film version of a well-known Georgian folk-tale. A young boy has to be immured into the walls of a fortress in order to stop it from crumbling to pieces.

The story about the friendship between a Soviet fighter squadron pilot and the children stuck in a city destroyed by the enemy during WW2.

When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.

The last day of the year ends. At the Christmas market, where a lot of people were still bustling during the day, in the evening there were only three snow-covered graces, three beautiful women. They have nowhere to hurry, no one is waiting for them at home. And here, at the Christmas market...

This is the story of the Tbilisi-Batumi train, which, due to a switchman's mistake, first enters the line of occupation of the Georgian region of the Autonomous Republic of Abkhazia, then the train enters the city of Chiatura.

After the army, Emzar returns to Inguri. Gual, the top lumberjack, cuts young trees to surpass plans. Tamara, secretly in love with Gual, exposes his methods, straining his friendship with Emzar. At a festival, Emzar wins a horse race and Manol, Gual’s love, announces her marriage to Emzar. A year later, Gual is sullen. During a storm, he cuts young trees, pushing Emzar into a ravine. Manol goes into labour, and Gual carries her to the hospital, where she gives birth to a boy. He then rescues Emzar and brings him to the village, where Tamara meets him.

A theater director with a normal middle-class life in Tbilisi becomes increasingly disturbed after witnessing a murder, obsessing about whether he could have done anything to prevent it.